Focuses on repertoire selection, addressing issues such as beginning the process, keeping lists and resources for future use, seeing concerts as sharing experiences, and problems to avoid. Discusses the importance of networking and offers suggestions for enabling music educators to grow as teachers. (CMK)

The disappearance of planes and ships in the Great Lakes area is the focus of the three activities in this unit. Activity A involves studying the locations of missing craft and personnel. Activity B, which treats the loss of the freighter Edmund Fitzgerald as an example of a Great Lakes tragedy, consists of plotting bathymetric contours,…

The material in this teacher's guide for a high school elective course may be used in a variety of curriculum designs--from a mini elective to a full year course. The rationale section explains that folksinging can be a valuable activity in the classroom by: 1) presenting a mirror for the student's personality and by being a useful tool for…

Music study should be construed primarily as an experience of its feeling content. Taught so, it can reach for the inner core of the early adolescent, to pierce that sometimes hard outer surface that protects the vulnerable inner life. Attempts to intellectualize music with young teens are doomed. (Author/SJL)

Activities are suggested to teach the basic concepts of twelve tone serial technique. Students need no prior background in contemporary music. At least two sets of resonator bars are necessary. (This article is part of a theme issue on aspects of contemporary music.) (Author/SJL)

Instead of the traditional emphasis on performance by a few, music programs should also include composition and appreciation and embody experiences in aesthetic education for the entire student body. These experiences could include musicianship and music history, literature, structure, organization, and performance. (JM)

Presents several examples of short Hispanic ballads for incorporation into advanced secondary school and undergraduate courses. The ballads' historical and cultural significance are explored as well as their linguistic value. (CB)

Points out that high school band programs are often geared toward entertainment and the short-term reward of competitive recognition. Suggests the goal should be toward the development of musical skills including understanding, creating, and appreciating the art of music. Suggests how band programs can contribute to the music education curriculum.…

Describes a summer school program in which secondary students collaborated to build an opera company. Details the activities of seven days in the first stage of the three-stage project. Concludes that the experience built democratic values. (CFR)

Explains that in order to achieve a balance between the goals of preparing music for performance and developing capable musicians during choral rehearsals, teachers should employ four rehearsal techniques: (1) the Whole/Part/Whole approach; (2) discovering relationships within compositions; (3) repetition with meaning; and (4) gesture-based…

Asserts that music teachers must encourage discussion of musical interpretation and interpretive choices as opposed to only focusing on fingerings and tunings in the performance aspect of music education. Provides various strategies for building student creativity in musical performance, such as encouraging divergent thinking or the interpretation…

The material in this curriculum guide for a high school elective course may be used in a variety of curriculum designs--from a mini-elective to a full year course. Although it is obvious that none of the students will become expert guitarists in the time alloted, hopefully, through a program based on guided self-instruction and doing, they will:…

Presents background information on Jazz Appreciation Month. Includes a lesson for middle level students that can be adapted for upper elementary and high school students on jazz history. Offers an extension activity that incorporates oral history and provides a list of Internet and print resources on jazz. (CMK)

Discusses the changes taking place in music education and how they will affect the training of future music teachers. Suggests that teachers should be prepared to present music in a general yet varied format. Includes the necessity of promoting musical experiences and appreciation of musical events in desired curriculum changes. (DK)

This Quinmester, 9-week course of study is intended to develop discriminating listening habits as a preparation for intensive study of various specific periods of music (see SO 007 734-736). Some introductory work in music is suggested, with interest being the main criteria for selection of students. Twelve course objectives are listed involving…