Designed for schools too small to have an artist-in-residence program, the Artist's Environment Program allows students to visit studios of local artists/craftspersons. To attempt an understanding of the artist's role in society and working environment, students videotape their visit for later classroom discussion. (Author/SJL)

More than just learning to draw, art education is complementary to other areas of the curriculum. (Author/JM)

The current preoccupation with testing and curtailments of arts programs add up to educational and cultural deprivation for today's students. In our haste and intensity to achieve, dominate, and acquire, we should not undervalue the spiritual, mental, and emotional amenities provided by the fine arts, which comprise the languages of civilization.…

Presents a series of lesson plans and learning activities using discipline based art education principles to focus on four works by African American artists. The artists featured are Joshua Johnson, Horace Pippin, Alma Thomas, and Tom Miller. Includes a representative color plate of each artist's work. (MJP)

Provides four lesson plans using discipline-based art education techniques to examine the content and technique of a series of art works portraying Texas. The lesson plans use "mind mapping" (nonlinear visualization of a concept or idea easily linked to others). Includes background information on artists Bruno Andrade, Dennis Blagg,…

This book encourages art students to draw the entire human figure at once, rather than isolated portions of the body. The approach focuses on the energy that suffuses every part of the body and produces liverly, seamless figure drawings without construction lines. Examples from Master works and student works are used to demonstrate the approach…

This exhibition guide provides critical analysis, historical perspective, and brief biographies of 15 self-taught African-American artists whose works were displayed. "Ashe," an African word meaning "the power to make things happen," was used as the theme of the exhibition. The guide verbalizes the exhibit's investigation of…

The objectives of this paper are: to describe art education in New South Wales, Australia; to explain the Student Centered Art Appreciation (SCAA) Model; and to examine how and why the model works in the classroom. Art education is explored from four perspectives or theoretical frameworks: (1) the New South Wales Visual Arts Syllabus; (2) the SCAA…

The Arts Curriculum Development Project is new, but the parent agency, Educational Systems for the Seventies (ES '70) is not. Membership in ES '70 includes 18 high schools with a combined student population of more than a million students. The purpose of Arts Curriculum Development Project is to plan a well rounded curriculum in the performing…

GRADES OR AGES/ K-12 and K-8. SUBJECT MATTER: Art and music. ORGANIZATION AND PHYSICAL APPEARANCE: The guide is divided into two sections, one each for art and music. The art section is further subdivided into three parts, one each for elementary grades, middle grades, and high school. The first and third parts of the art section and the entire…

GRADES OR AGES: Junior and senior high school. SUBJECT MATTER: Art. ORGANIZATION AND PHYSICAL APPEARANCE: The guide has four main sections: 1) "Aims of the Art Program"; 2) "Function of the Guide"; 3) "Course Descriptions"; and 4) "References, Source Materials, Aids." The course descriptions in section 3 are arranged in chart form with six…

How can a teacher cover an exciting aspect of ceramics, provide his students with an exemplary model of an artist craftsperson, and bring about a growing sense of community through an alternate learning situation? One way is by offering a raku workshop, complete with kiln building. (Author)

Describes a project at Columbus East Senior High School, Columbus, Indiana, where supergraphics have been developed to the level of a sophisticated art form. This form of art serves a dual role as a pleasing decorative element and as a means of identification of specific areas within a building. Aside from being a constructive design activity,…

Four panels hang in the Junior Gallery at the Nelson Gallery-Atkins Museum in Kansas City, Missouri. Conceived by Matthew Monks, an experienced artist and teacher, and students from his Saturday morning class at the art museum the college is the result of a mixture of art materials and a combination of creative ideas. (Author/RK)

Students can be motivated to be creative by introducing them to an unusual technique or approach to design. The concept of face mobiles can serve as a springboard for students to engage in a unique art project. Some photographs graphically present the basic forming steps. (Editor/RK)