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Schillaci, Peter – 1973
This minicourse on film study can be a unit in English, in arts, or in the humanities. It can help to launch a film study course or complement an introduction to theater. Whatever form it takes, it helps to build a bridge to the student's media environment. Part one, the language of images, utilizes four films which demonstrate the basic elements…
Descriptors: Course Content, Course Descriptions, Documentaries, Film Criticism
Mittler, Gene A. – 1997
Art reflects the ideas, experiences, spirit, and hopes of those who create it. It is through art works that students can see a visual record of how men and women lived and thought throughout history and across cultures. This instructional resource includes 52 transparencies, accompanying teaching strategies, and student worksheets which are…
Descriptors: Art, Art Criticism, Art Education, Art History
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Edwards, M. D. – Art Education, 1991
Considers the true value of art by outlining a number of factors that determine the price of a painting including the fame of the artist, the time of the artist's death, and the age of the work. Concludes that students should be encouraged to consider the emotional, aesthetic, and intellectual worth rather than the monetary value. (KM)
Descriptors: Aesthetic Values, Art Appreciation, Art Criticism, Art Education
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Irvine, Hope – Art Education, 1991
Addresses the issue of the fame of Leonardo da Vinci's "Mona Lisa." Describes several kitsch objects that have been created about the painting. Maintains that students need to address this issue otherwise such exploitation will depreciate the value of the art work. (KM)
Descriptors: Aesthetic Values, Art Appreciation, Art Criticism, Art Education
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Wilks, Susan; Emery, Lee – Australian Art Education, 1998
Investigates whether employing the philosophical inquiry approach specifically in the aesthetics and art criticism component of the visual arts curriculum was beneficial to teacher effectiveness and student understandings. Describes the methodology and data analysis and an intervention program that aimed to assist teachers to engage in…
Descriptors: Aesthetics, Art Criticism, Art Education, Classroom Research
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Geahigan, George – Art Education, 1998
Identifies the essential features of critical inquiry and shows how it differs from the critical procedures often recommended by educators. Explains the implications of the inquiry process for teaching criticism. Provides a model of critical-inquiry instruction by suggesting three basic instructional strategies for teachers and describing an…
Descriptors: Art Appreciation, Art Criticism, Art Education, Concept Formation
Boggs, Joseph M. – 1996
This guide aims to help students sharpen powers of observation, develop the skills and habits of perceptive watching, and discover complex aspects of film art. Organized in 16 chapters, the text, which focuses on narrative film, discusses film analysis in chapter 1 and establishes a foundation for understanding theme and story in chapters 2 and 3.…
Descriptors: Critical Viewing, Film Criticism, Film Study, Higher Education
Fitzpatrick, Virginia – 1991
An inquiry method for learning art history assumes that students will be more interested if they conduct their own research about artists, works of art, and cultures. The collection of the following types of information will help guide their inquiry: description of the work of art, techniques and materials used, where the artist lived, purpose of…
Descriptors: Art Criticism, Art Education, Art History, Artists
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Barrett, Terry – Journal of Aesthetic Education, 1989
Explores critical activities in the visual arts and how they can enhance art appreciation. Outlines sources of criticism, different types of criticism, the varied backgrounds of art critics, and the artist-critic relationship. Maintains that, by emphasizing interpretive aspects, school art criticism can come closer to professional art criticism.…
Descriptors: Aesthetic Education, Art Activities, Art Appreciation, Art Criticism
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Dickson, Ted; Wallace, Chris – OAH Magazine of History, 1999
Presents a lesson where students interact with the art of the Gilded Age and learn about various artists from the time period as a means to review the major themes of the Gilded Age. Explains that this lesson addresses the National Standards for U.S. History. Provides teacher notes, extension activities, and additional sources. (CMK)
Descriptors: Academic Standards, Art Criticism, Art Education, Art History
Utah State Office of Education, Salt Lake City. – 2001
This guide to Utah's requirements for students in secondary visual arts is organized and based upon a student achievement portfolio for each course. Foundation I, the required junior high/middle school visual arts course, is designed to provide an overview of visual arts while studying various art tools and materials. With an emphasis on studio…
Descriptors: Academic Standards, Art Activities, Art Criticism, Art History
North Dakota State Dept. of Public Instruction, Bismarck. – 1991
This document is the secondary level visual arts component of the North Dakota Arts Curriculum Project. After a presentation of the philosophy, goals, and objectives for the visual arts program, the guide is organized into four sections. The first section, "Visual Arts Program Components," presents an overview of educational…
Descriptors: Aesthetic Education, Art Activities, Art Appreciation, Art Criticism
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Rosiene, Alan I. – School Arts, 1990
Depicts a high school art activity in which students create imaginative compositions by selecting, cutting out, and aesthetically arranging various styles of lettering. These letters then dictate the style and content of the composition. Tracing paper is used to transfer the desired composition creating a border for another page which is then…
Descriptors: Aesthetic Values, Art Activities, Art Appreciation, Art Criticism
LaDuke, Betty – 1992
This resource gathers together explorations of women's art from Asia, Latin America, Eastern Europe, and the United States as a stimulus for interdisciplinary discussion and investigation. Part 1, "Art, Ecology, and Spirituality", focuses on traditional artists from Borneo, India, and Mexico, whose symbolic images are linked to goddesses…
Descriptors: Art, Art Criticism, Art Education, Artists
Berger, Arthur Asa – 1989
Contemporary society is an "information society" where much of the information has a visual nature. This text uses semiotic and psychological concepts to help students gain understanding of how meaning is found in visual phenomena and how minds process images. Focus is upon mass media and popular culture. Theoretical discussions are…
Descriptors: Cartoons, Computer Graphics, Critical Viewing, Criticism
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