States that psychological models help shape students' responses to literature. Explains how a Freudian model can be used to explore the meanings inherent in Emily Dickinson's "A Narrow Fellow in the Grass." (MM)

This curriculum guide presents syllabi for seventeen ten-week "midi-courses" for juniors and seniors in high school. For each course, the syllabi contain a course description, goals, subject matter, materials, an annotated list of audio-visual aids, a list of behavioral objectives, some suggested activities, a glossary of terms, and a…

Uses students' responses to poetry as a tool for developing writing skills and literature appreciation. Matches literature materials to students' levels of experience. (RL)

This study analyzed racial-attitude change that eleventh-grade students underwent after reading black literature contained in a Black Literature Package (BLP). Three intact classes of 65 students taught by one female English teacher in a nearly all-white school located in central Pennsylvania were involved in this experiment. Findings suggested…

The purpose of this study was to discover what teaching aids the eleventh and twelfth grade English teacher may expect to find if he depends upon the textbook and manual for questions and information about an assigned poem or if he turns to general high school journals and methods books for information and what critical information the English…

TO HELP STUDENTS ENJOY POETRY--ESSENTIALLY AN "UNTEACHABLE" EXPERIENCE--THE TEACHER SHOULD APPROACH THE TEACHING OF POETRY THROUGH A DESCRIPTIVE ANALYSIS OF INDIVIDUAL POEMS RATHER THAN PRIMARILY THROUGH AN EMPHASIS ON THE POEM'S HISTORICAL PERIOD, NATIONAL ORIGIN, OR THEMATIC CONTENT. THE DEVICES WHICH GIVE POETRY ITS SPECIAL RHYTHMIC…

DISTINCTIONS BETWEEN THE NARRATIVE AND DRAMATIC MODES CAN BEST BE UNDERSTOOD BY EMPHASIZING WHAT IT MEANS TO THINK AND CREATE DRAMATICALLY. ALTHOUGH BOOKS (WHICH ARE READ) AND PLAYS (WHICH ARE SEEN) TREAT PLOT, CHARACTER, AND SETTING SIMILARLY, CONVENTIONS THAT PARTICULARLY DISTINGUISH THEATRICAL FORM ARE--(1) THE AUTHENTICATING REALITY OF THE…

THIS POETRY UNIT FOR 11TH-GRADERS ILLUSTRATES HOW VERSE STRUCTURE AND POETIC TECHNIQUES CONTRIBUTE TO A POEM'S MEANING. IN PART 1, IMAGERY, METAPHOR, SYMBOLISM, IRONY, PARADOX, AND MUSICAL AND RHYTHMICAL SOUND PATTERNS ARE DISCUSSED AS WAYS OF SAYING THE "UNSAYABLE" AND OF REINFORCING THE MEANING AND MOOD OF THE POEM. THE POEMS OF SUCH…

THE NARRATIVE MODE CAN BEST BE UNDERSTOOD THROUGH A STUDY OF THE CONVENTIONS WHICH SHAPE A STORY'S FORM AND SUBSTANCE. OF PARTICULAR IMPORTANCE IN PERCEIVING THE INTENTION OF THE NARRATIVE IS TO LOOK AT THE CONVENTION OF POINT OF VIEW--THE…

Introduces a two-step instructional model that promotes independence in reading comprehension by transferring responsibility for strategy use to the students throughout the course of instruction. Includes extended examples. (NKA)

THE BASIC CONVENTIONS THAT SHAPE THE CREATION OF THE SHORT STORY AND THE NOVEL ARE EXAMINED IN THIS 11TH-GRADE LITERATURE UNIT. THE SECTION ON THE SHORT STORY ILLUSTRATES NARRATIVE FICTION FORM THROUGH THE SHORT STORIES OF FORSTER, JACKSON, STEINBECK, THURBER, POE, MCCULLERS, HAWTHORNE, MANSFIELD, SALINGER, STEELE, AND COLLIER. EMPHASIZED IN EACH…

A CONTINUATION OF "TEACHING LITERATURE IN GRADES 7 THROUGH 9" (SEE ED 013 804.), THIS BOOK OFFERS A TEACHING APPROACH WHICH EMPHASIZES THE CLOSE READING OF LITERARY WORKS IN A SEQUENTIAL ORDER OF INCREASING COMPLEXITY. EACH OF THE FIRST THREE SECTIONS ("POETRY,""SHORT STORY," AND "DRAMA", PRESENTS A PROGRAM…