Presents a lesson in which students created three-dimensional self-portraits, using papier-mache, clay, and plaster, designed to develop their modeling skills as they learn about art history. Discusses how the students created their sculptures, offering detailed directions on creating the three-dimensional heads. (CMK)

Provides information on Willie Bester, who lived under Apartheid in South Africa and used his art to bring public attention to the plight of persecuted people. Includes a reproduction of Bester's collage, "Crossroads." Discusses the history and social message of "Crossroads." (CMK)

Provides background information on the life and career of Nancy Graves focuses on her use of materials for her sculptures. Includes a list of learning activities and a reproduction of her artwork "Cantileve." Offers a discussion about the sculpture. (CMK)

Discusses the presence of ordinary people in art. Features four sculptors and examples of their work: (1) "Janitor" by Duane Hanson; (2) "The Red Light" by George Segal; (3) "The Sodbuster" by Luis A. Jimenez; and (4) "The Driller" by Mahonri Young. (CMK)

Provides historical background on mosaics. Describes an art activity in which students create their own mosaics. Discusses what the students can use as material to make the project much more cost effective and explains the process of creating the mosaics in detail. (CMK)

Describes what occurred during an "Art Exchange Day" between two high schools that offered students access to varying viewpoints about art. Explains how the students created their own artworks of cakes and other desserts, inspired by the work of Wayne Thiebaud. Includes examples. (CMK)

Describes an assignment that was used in an advanced drawing class in which the students created self-portraits, breaking up their images using planes and angles to suggest their bone structure. Explains that the students also had to include three realistic portions in their drawings. (CMK)

This course outline, intended for ninth and/or tenth grade students, is designed to: (1) help students develop evaluative criteria for various art forms; (2) become aware of the interrelationships of the arts; and (3) realize that all art forms are part of the individual's attempt to reflect upon and interpret the world in which they live. In the…

Describes an art lesson in which students sketch drawings of flowers and use watercolor paper and other materials to paint a landscape. Explains that the students also learn about impressionism in this lesson. Discusses how the students prepare the paper and create their artwork. (CMK)

Describes a Chemistry and Art project developed for secondary students and teachers sponsored by the National Gallery and The Royal Society of Chemistry in the United Kingdom. Discusses aspects of the techniques used in creating five paintings as well as the chemistry involved in their making, deterioration, conservation, and restoration.…

Discusses a fresco assignment taught during a workshop for an art history class where students created their own fresco paintings. Provides background information on the fresco technique and the materials that are used. Describes the process of creating the frescos and lists the needed materials. (CMK)

Presents an art assignment for beginning painting students in which they paint a self-portrait in the style of the German expressionists and intimate the mood through colors. Explains that the students viewed color reproductions of work by German expressionists and aspects of art history related to the German expressionists. (CMK)

Focuses on henna, a natural reddish dye that is applied to hair, nails, feet, and hands. Provides a brief history and description of henna. Discusses how henna is applied, the importance of patience when using henna, and how students can create their own "Henna Salon." (CMK)

Provides information on papermaking and discusses two methods that students can use. States that papermaking can be a multidisciplinary project, including history and social studies, and a way to teach about recycling. (CMK)

Discusses the Surrealist art movement, focusing on creative variations characteristic of Surrealism. Describes the process for a Surrealist portrait lesson, stemming from Rembrandt's "Saskia as Flora," in which students use the technique of oil pastel over a dark tempera-painted ground. (CMK)