This interview and response explores the functionalities of the digital platforms Digital Theatre+ (DT+), Drama Online and Cambridge University Press as represented by the interviewees, with a focus on Robert Delamere's DT+. Delamere discusses the history of DT+, and his vision for it to become a site where students can create 'remixes' of DT+…

Writings around a/r/tography have frequently focused on research, methodology, and artistic purposes. This article foregrounds the pedagogical lens of a/r/tography and outlines six features of a/r/tography as pedagogy in theatre teacher education. The paper reports findings from an investigation into the experiences of a university instructor of a…

In this article, the author comments on James Catterall's research "Doing Well and Doing Good by Doing Art." The purpose is to understand how this study frames the argument for a high level of arts involvement in secondary school. By doing so, important characteristics and limitations of social science research and of this study in particular are…

Reviews John Lithgow's career in theatre, his work in the television show "3rd Rock from the Sun," his family background, and his views concerning art in education. (NH)

A secondary level, multicurricular Quinmester course on stage design is tentatively outlined. The study and application of design and construction as it relates to stage production introduces students to the setting that man creates to give an illusion of the time, locale, and mood for his dramatic productions. The overall success of this illusion…

Describes the design elements and functions of a new creative and performing arts building in a private preparatory school in Michigan. (MD)

This project began when the Philadelphia Folklore Project (PFP) initiated a residency partnership with the Samuel S. Fleisher Art Memorial in traditional Cambodian arts. The PFP anticipated raising issues that might help in the understanding of the cultural dynamics and elements that were likely to shape and effect the residency. The PFP imagined…

Discusses the problem of stress and the performing artist. Suggests the need for programs, attitudes, demands, and lives that balance personal well-being with professional endeavors. (SR)

Secondary school theatre programs in the United States range from a single class or an annual play or musical to programs with comprehensive curriculums and production seasons headed by several certified theatre teachers. Whatever the size of the program, whenever adults are engaged in dynamic educational and artistic experiences with children…

Describes the Quartz Mountain Oklahoma Summer Arts Institute program. It is designed to nurture artistic talent and to provide intensive arts experiences in music, dance, theater, and the visual arts for talented students aged 14-18. (AM)

The Arts Director of the Model Secondary School for the Deaf at Gallaudet University offers guidelines for recruiting support for an arts program. The importance of demonstrating easily attainable initial goals and positive presentation is stressed. Guidelines include obtaining administrative support, using volunteers, finding creative funding,…

The purpose of this research was to examine policies and curriculum practices in performing arts secondary schools in the United States. Data were obtained from a survey (including questionnaires, opinionnaires, interviews, and observations) conducted among 55 schools (total number existent in 1980) and visits to 11 selected institutions in the…

This final report provides an evaluation of the Lincoln Center Student Program which was designed to help junior and senior high students develop an understanding and appreciation for the theatre arts through a variety of cultural experiences. Evaluation focused on determining the: 1) extent to which the project fostered art appreciation toward…

This book describes the results of the Artists-in-Schools project sponsored by the National Endowment for the Arts and the Office of Education. Included are the background and goals for the project and a discussion of visual arts and music programs in Alabama; poetry and theatre in Minnesota; poetry in Wyoming; dance, architecture, and…

Designed as a model to aid school districts as they develop and review their own curriculum guides, this secondary level fine arts guide is divided into four sections covering visual arts, music, drama, and dance. Each of the four sections follows a standard format. A preface describes the goals of fine arts education in Alaska and the…