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Carroll, Sissi – ALAN Review, 2002
Presents an interview with Author/Screen Writer David Klass. Discusses his dual role as young adult author and Hollywood screenwriter. Illuminates important differences that Klass finds when working as writer of young adult books and as a screenwriter. (SG)
Descriptors: Adolescent Literature, Audience Awareness, Drama, Interviews
Schaub, Laura; Kelsey, Roy – Communication: Journalism Education Today, 2000
Discusses the creation of an advertisement to catch the attention of the target audience: student readers. Notes the consideration of several important factors including: the product, the audience, the positioning, the principles, and the ingredients. Describes ways to get started and several points in approaching the design process. (SC)
Descriptors: Advertising, Audience Awareness, Design, Journalism Education
Carlisle, Barbara; Drapeau, Don – Teaching Theatre, 1997
Argues that good directors are not as autocratic and individualistic as they are often portrayed. Suggests that theater is much more of an ensemble effort. States that good theater grows out of the performers' desire to reach the audience. Articulates guidelines for the teacher or theater director who wishes to change "I" to…
Descriptors: Audience Awareness, Group Dynamics, Higher Education, Leadership Styles
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Bobo, Gay L. – English in Texas, 1995
Explains how a teacher used tape--pieces hanging from her hair, her desk, and student desks--to help students remember some of the principles of writing represented in the acronym TAPE: topic, audience, purpose, and elaboration. (TB)
Descriptors: Audience Awareness, Secondary Education, Teaching Methods, Writing Instruction
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Vandenberg, Peter – English Journal, 1995
Defines the concept of "audience" as a theoretical concept for writing instructors and readers. Discusses its relationship to the teaching of English. (HB)
Descriptors: Audience Awareness, Definitions, English Curriculum, English Instruction
Capan, Mary Ann – 1992
A stylistic device that has been used by many authors over the years is to alternate the point of view between two or more characters. Authors of young adult novels choose this technique of multiple narrative voices for a variety of reasons. Multiple voices offer a challenge to many young adult readers because the point of view is much more…
Descriptors: Adolescent Literature, Annotated Bibliographies, Audience Awareness, Literary Devices
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Gauthier, Gail – English Journal, 2002
Suggests that educators need to accept that the young adult audience is unique and find a way to deal with it in order to create a literature from which teenagers can expect to gain a satisfying "sense of comradeship among equals." (SG)
Descriptors: Adolescent Literature, Audience Awareness, Reading Habits, Reading Instruction
Savedge, Charles E.; Akers, Martha, Ed. – Student Press Review, 1992
Describes some of the key elements in publishing a quality yearbook. Includes what time of the year is best for publication, what to include, and what not to include. Emphasizes the importance of including faculty in a yearbook. Contains recommendations on creating a comprehensive academic and sports section. Provides tips on handling "people"…
Descriptors: Audience Awareness, Higher Education, Journalism, Scholastic Journalism
Drewlinger, Andy – Communication: Journalism Education Today (C:JET), 1994
Describes ways an editor of student publications can cultivate on-going communications with the people who read and are affected by what is in the publication. (SR)
Descriptors: Audience Awareness, Editors, Interpersonal Communication, Interpersonal Relationship
Everson, Barbara J. – Quarterly of the National Writing Project and the Center for the Study of Writing and Literacy, 1991
Describes the writing theories of Lev Vygotsky, and how they are borne out by modern research. Asserts the Vygotsky's ideas show why cooperative learning strategies such as peer response groups fit into the beginning stages of the composing process. Discusses Vygotsky's zone of proximal development. (PRA)
Descriptors: Audience Awareness, Cooperative Learning, Language Acquisition, Learning Processes
Evans, George P. – Student Press Review, 1995
Discusses the use of the verb "said"--the verb of neutrality--and states that it is a good writer's trusted literary companion. Cites various examples of its use in promoting objectivity in stories, and offers advice from grammar writers as to using "said" effectively. (PA)
Descriptors: Audience Awareness, Higher Education, Journalism, Language Usage
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Gallo, Don – ALAN Review, 2001
Presents an interview with Randy Powell, an author who has published several novels about teenagers who are finding their way through unsettled lives. Shares his belief that when you write from the heart, you do not have any choice about the themes and stories you write; they choose you as much as you choose them. (SG)
Descriptors: Adolescent Literature, Audience Awareness, Interviews, Literature Appreciation
Skjonsberg, Kari – 1992
The prototype of the modern youth novel emerged in the second half of the 19th century, and books written specifically for either male or female youths often covered similar storylines and themes, usually educational in purpose. Changes in the readership emerged rather slowly, but a dramatic shift in ideas about children's literature was inspired…
Descriptors: Adolescent Literature, Audience Awareness, Childrens Literature, English Curriculum
Renaud, Lissa Tyler – Teaching Theatre, 2003
Explains how the author's father taught her about theatre in their everyday life. Discusses artistic sensibilities such as the use of voice, body, mind, and values. Explains the following theatre specifics: pacing; language; telling the story; relaxation and humor; participation; the audience's job; inflation of titles; history; subtext; and…
Descriptors: Audience Awareness, Body Language, Drama, Humor
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Pavonetti, Linda M. – Journal of Adolescent & Adult Literacy, 1996
Discusses the writing of Joan Lowery Nixon, award-winning author of young adult mystery novels. Discusses telling a good story, narrative form, characterization, stereotypes, social commentary, classroom implications, and caring for an audience. (SR)
Descriptors: Adolescent Literature, Audience Awareness, Characterization, Literature Appreciation
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