Briefly outlines three sculpture projects for secondary students, two using papier mache, one using wood. (SJL)

Described is a Ceramic Clayathon, the purpose of which was to inspire and infuse spirit through the cross-fertilization of ideas. Four high schools were involved and events included no-handed-clay, tallest clay form, crazy coil, etc. Pictures of winning entries are included. (KC)

Lost-wax casting in sterling silver is a costly experience for the average high school student. However, this jewelry process can be learned at no cost if scrap aluminum is used instead of silver, and soap bars are used instead of wax. This lost-soap aluminum casting process is described. (Author/KC)

Presents instructions for building a simple, inexpensive, one-piece loom that is easy for students and teachers to work with, transport, and store. A short list of books for weaving instruction is appended. (Author/SJL)

Cement offers many creative possibilities for school art programs. Instructions are given for sculpting with fiber-cement and sand-cement, as well as for finishing processes and the addition of color. Safety is stressed. (IS)

Presents background information which will help teachers undertake leaded-glass projects in secondary-level art classes. Instructions cover simple designs, pattern construction, glass-cutting techniques, leading methods, and project assembly. (AM)

A secondary teacher describes how she has her students use liquid white enamel. With the enameling process, students can create lasting, exciting artwork. They can exercise an understanding of design and color while learning the value of careful, sustained craft skills. (RM)

In two related articles, the author describes (1) a field trip during which his high school ceramics club collected clay from the outdoors and (2) the process he used to create primitive pottery pieces from such material. (SJL)

Describes the use of a simple and familiar medium, finger paints, to get high school students to explore problems of design in painting. (SJL)

Instructions are provided for making dolls, or soft people sculptures, by stuffing nylons with cotton and shaping the result with stitching and decoration. This article is one of seven in this issue on fiber arts. (SJL)

Described is the Advanced Placement Program in Studio Art which encourages in-depth involvement by basing one-third of its requirements on the student's demonstrated ability to select and develop a project which makes greater demands than the usual assignment. This special project phase is described in depth. (KC)

Secondary students find that junk is an inspiration for a creative project in the final days of high school. (RK)

Stained glass can easily be a part of a middle/junior or senior high school art program. A good beginning project is a "light catcher," a small glass design form meant to be hung in a window. How to prepare the design and cut and lead the glass is described. (RM)

In the first activity, which combines geometry, architecture, and sculpture lessons, intermediate and secondary level students make a sculpture from toothpicks. In the second activity fourth graders make a soft sculpture with fabric and yarn. Junior high students make animal sculptures from cardboard, newspaper, and twigs in the third activity.…

Art objects are often unique reflections of a culture. Procedures are described for having intermediate or secondary level students make a parfleche, a form of carrying case used by the Plains Indians. Materials for making the parfleche include two large grocery bags, pencil, white glue, wax crayons, string, and water. (RM)