A discussion of how to captivate an instructional television audience through dramatization and role-playing. (Author)

Dramatic play and role playing are two techniques that can be used to help children understand their feelings about death. (JH)

Often the way one communicates ethical choices is conditioned by the dynamics of the communication process more than by a well-developed "ethical system." Sociodrama is an excellent method of teaching both ethics and communication skills. The technique can be used for playing out any real-life situation, but unlike much actual life experience, it…

Two major trends in psychodramatic research during the last 10 years are delineated: (1) evaluating its effectiveness as a form of therapy; and (2) varying the communications process via role playing to produce attitude change. Examples of both are given. The author concludes that findings to date may well dissatisfy the practicing psychodramatist…

This teacher guide, intended for teen-age educational settings, explores the possibilities of "spontaneous drama" which incorporates acting techniques to evoke the life experience of the student and to encourage self-revelation in a safe and accepting atmosphere. Primarily designed for use in Christian education, but with application to literature…

Creative drama provides the opportunity for children to experience fantasy and for teachers and children to interact through role playing. (JH)

Suggests that drama provides an excellent opportunity for children to learn about history, especially children who have not yet reached the formal operational level of development. Describes a program coordinated with a historical museum in which children reenact a school day in 1888. (ARH)

Emphasizes the educational benefits derived from research in dramatics arts. Cites research indicating that role playing has a positive effect on oral language, moral reasoning, and self-esteem. Points out that teachers and administrators do not include dramatic instruction in their curriculum, and offers ways to make dramatic arts more appealing.…

This paper argues the value of drama processes in science classrooms as a way of enabling students to learn openly from and with each other and of enhancing higher order learning skills. Role-playing, focus, and tension are described as constructs to guide the pedagogy of drama processes. (YP)

The primary purpose of this book is to provide a practical working handbook for teachers and therapists. Chapter one is a general discussion of drama, with emphasis on its relevance to therapeutic work. Chapter two offers practical suggestions for starting a therapeutic session and for creating and extending specific environments. Chapter three…

Discusses the characteristics of role playing, its advantages and disadvantages, methodology, and organization. A sample play, "Teenage Trouble," is presented. Information is given as to where material for plays can be found. (IFS/WGA)

Examines the current practices and possibilities of using the teaching-in-role strategy (where the teacher takes on a fictional role for educational purposes) through a survey of professional youth theaters. Finds that, of 38 programs that responded, all indicated having an educational program with several characteristics compatible with…

The full power of drama as both a teaching and learning medium can be realized only when the inner world of meaning is harnessed to the outer world of expressive action. The teacher has available a number of techniques that can involve the students in the vital interaction of both frames. To involve the students in the expressive frame, the…

Under Hitler, art and drama were controlled in order to serve propaganda purposes exclusively, while under the New Deal the United States succeeded in giving work to artists and writers without controlling their output. Suggests class activities to help students gain understanding of this era. (CS)

Noting that new approaches must be found to decrease the numbers of inmates returning to United States prisons and to provide means for productive changes that will result in self-improvement and new options for inmates both inside and outside the prison after their release, a drama program was established in 1979 for inmates at the Federal…