Describes a method of teaching composition that focuses on rhetorical strategies in fiction, poetry, drama, and the essay, and by considering how these strategies are used effectively to achieve particular effects. (TO)

Internationalization at the university level may be envisioned in various ways. Often, it is considered along the economic dimensions: money in, money out; international fees; and international articulation possibilities for both education and business. Harris (2008) argues for a less economic, more cultural interpretation of internationalization.…

Examines the relationship between rhetorical theory and rhetorical criticism, and discusses the current evolution of rhetorical criticism and the theoretical suppositions accounting for this evolution. (MH)

Using great literature to clarify and to improve students' writing is like using the unknown-literature to explain the only slightly less unknown--the writing of compositions. An alternative is to study films to foster an awareness of technique, for films contain many of the same rhetorical and structural devices as literature. It is possible to…

Critical discourse is best understood when its logical features are identified. An examination of the basic elements and modes of rhetorical criticism (a form of critical discourse) produces a finite set of options for the critic, thus enabling him to develop a system of alternatives in his critical efforts. For example, by selecting from among…

Contends that is sometimes rhetorical genres and not rhetorical situations that are decisively formative, and cites the papal encyclical, early state of the union addresses and their replies as supporting evidence. (MH)

Discusses the relationship between doublespeak and humor in the works of George Orwell, W.H. Auden, Doris Lessing, and others. Suggests that one of the most effective responses to doublespeak is humor, a response which acknowledges doublespeak's incongruities and laughs at them. (ARH)

Speculates on the relationship between the execution of history in practice and the conceptualization of history in theory by examining the rhetorical elements in the resignation episode of the Duke of Wellington. (MH)

Investigates the rhetorical implications of Sydney Pollack's translation of Isak Dinesen's autobiographical texts. Argues that Pollack's film uses strategies of transference, redefinition, antithesis, and displacement to renarrate Dinesen's writings, resulting in a depoliticized romantic adventure. Finds that these strategies misrepresent Dinesen,…

Argues that the rhetorical impact of "Agnes of God" stems from the unconventional treatment of dialectical conflict, and from the film's "dialectical disorientation." Discusses rhetorical implications of form, arguing that "Agnes of God" is representative of a class of highly configural films that function to jar…

Investigates the interrelation of the histories of rhetoric and literary studies by examining in detail the writings of Victorian sage Walter Pater. (SR)

The purpose of this study is to explore education policies formation during two administrations (1983-1998) in the province of Cordoba, Argentina through the comparison of policy documents. The profound connections of the social, cultural, economic, and educational processes impact of Argentina's educational reforms during the last two decades of…

This study sought to discover the extent of the parallel between the processes of curriculum evaluation and literary criticism in order to clarify the evaluation process. A consideration of both literatures confirmed the presence of the analogy and allowed the development of a concept of descriptive validity as well as the identification of three…

Develops, refines and qualifies a thesis relating to the symbolism of the sea and investigates the evolution and gradual emergence of two separate patterns for the sea symbol in poetry and public rhetoric. (MH)

Explores the rhetorical factors which underlie this British film's extraordinary popularity with American audiences. Argues that the rhetorical force of the film comes from the struggle between moralism and materialism, two aspects of the American Dream, thus providing a uniquely powerful American experience. (PD)