We argue for a course in which students analyze writing about a common topic--in this case World War I--from multiple genres (e.g., poetry and technical manuals). We address the divide between instruction in pragmatic and literary writing and calls to bridge that gap. Students working in disparate areas of English learn the strengths and the…

The dramaturgical dimensions of the "theater of fact" as found in two anti-war plays, "Discourse on Viet Nam" by Peter Weiss and "Xa: A Vietnam Primer" by the ProVisional Theatre are examined. In these plays the author finds that Vietnamese history becomes rhetorical testament in arguments against United States…

A psychological/ritual model of criticism is used to examine the movie "The Deer Hunter" as a rhetorical event in which males undergo psychological change through their war and postwar experiences. The critical model depends on understanding a Jungian interpretation of the human psyche, the form and function of initiation rituals, and…

Explores the response of a Vietnam veteran to the film "Platoon." Notes that the film combines two voices, the veteran as journalist-critic and as priest, which mystify rather than explain the Vietnam experience. Argues that this form of priestly rhetoric serves an enduring hierarchy of power and knowledge. (KEH)

Using Frederic Jameson, we outline concentric circles of the political unconscious structuring debates about academic freedom at the national and state levels. By drawing parallels between the World War I university and the contemporary university, we suggest that such circles function historically, always bearing traces of an earlier time. To…

In examining Kenneth Burke's maxim "ad bellum purificandum" (translated as "the purification of war"), it seems plausible to infer that Burke's entire system of thought was based on his outrage toward war and the misuse of symbols that makes war possible. Burke saw his criticisms of war not as mere passiveness but rather as…

Examines the symbolic import of Truman's rhetoric of victory in support of U.S. intervention in Korea. (MH)

The rhetoric of the final four months of Hitler's Reich is examined, including arguments that Germany could still win the war based on moral and logical grounds, and later appeals based on source credibility, historical analogy, and terror. (JF)

Examines Churchill's use of archetypal metaphors in his speeches from 1930 to 1945. (MH)

The rhetorical strategies of the speechmaker become more interesting as the involvement and risk assumed by the audience increase. Battle orations given by military leaders to their troops just before fighting the enemy provide the ultimate in audience involvement and risk. Of some 200 chronicles of northern Europe from the twelfth and thirteenth…

Examines President Johnson's speeches of August fourth and fifth in 1964. The effects of the speeches are analyzed to show support for the propositions that Johnson's rhetoric created an international crisis and that it limited the foreign policy alternatives of the United States in Vietnam. (JMF)

Examines the dynamics of "dialectical disorientation," a rhetorical form that creates ambiguity through confrontation between competitive but complementary orientations. Applies the form to the Vietnam War movies "The Deer Hunter,""Apocalypse Now,""Platoon," and "Full Metal Jacket." Observes that…

This essay provides a rhetorical analysis of the "Wilkomirski" Affair and some of the recent public debates that have discussed the importance of childhood memoirs and the formation of authentic Holocaust identities. The author argues that rhetorical processes are involved in both the construction of what are deemed "authentic" memoirs and the…

Identifies the characteristics of rhetoric in American justification for war and the portrayal of the enemy as a savage aggressor. Discusses the use of contrasts--force and freedom, irrationality and rationality, aggression and defense--to generate values which subordinate the ideal of peace to the necessity of preserving freedom. (JMF)

Analyzes "The Deer Hunter" in terms of a psychological/ritual model of criticism. Argues that the rhetorical force of the film is explained by men's participation in rituals, such as deer hunting, which affect the patterns of psychological change they experience during and after war. (JMF)