Analyzes the purpose, strategy and style of four of Cicero's publicly-oriented letters and concludes that these differ substantially from both his orations and private correspondence. (MH)

Demonstrates that, because of certain elements of the rhetorical situation in which "Kent State" was presented and because of the nature of its composition, the docudrama functioned to purify the image of Bill Schroeder, one of the four students killed on the Kent State University campus on May 4, 1970. (PD)

Examines the rhetoric of "The Big Book," the basic text of Alcoholics Anonymous (AA), using fantasy theme analysis. Suggests that the rhetorical vision of AA may be described as Alcoholism as Treatable Illness of Body, Mind, and Soul; a variation of Bormann's rhetorical form "Fetching Good out of Evil." (SR)

Explores the tension between critical rhetoric's "doxa" and a modernistic "episteme." Develops a revised conception of doxa positioned within a critical rhetoric, which is contrasted to episteme. Advances a conception of prudence (practical wisdom) that uses doxa as its underpinnings. Argues that the actions of the agent may be…

Cites evidence of Gothic strains in eighteenth-century rhetorical practice. Uses a narrative account by Edmund Burke to illustrate representative Gothic themes, images, and strategies. Judges the Gothic voice to be significant as an instance of the ways in which general aesthetic sensibilities are deployed for rhetorical ends. (MS)

Uses fantasy theme analysis to examine how the women's movement rose from early small-group interaction to high visibility and acceptance by the public. Focuses on two organizations from 1967-77: the Twin Cities Female Liberation Group and the National Organization for Women, Twin Cities chapter. (PD)

Argues that key documents of the Chicano movement--El Plan Espiritual de Aztlan and El Plan de Santa Barbara--can best be understood through their expression of ideographs. Suggests that these plans were deployed to secure support for the movement and to sustain a particular ideology. Suggests that the plans express the deep cultural roots of the…

Invites rhetorical critics to reappraise the way they study discreet social movements and pay isolated tribute to woman's rights figures. Examines how Mary Wollstonecraft, Margaret Fuller, and Angelina Grimke each co-opted the ideational and stylistic rhetorical characteristics of pre-existing social movements (the enlightenment,…

Examines Senator George McGovern's speech, "Sources of Our Strength," delivered at Wheaton College, Illinois in 1972 and contends that this address reveals the motivation underlying his bid for the Presidency. (MH)

Argues that the 1848 and 1963 feminist social movements are one rhetorical movement and that feminism as a rhetorical movement is typified by an ideological conflict between the concepts of "womanhood" and "personhood," summed up by the term "consciousness raising." (PD)

Offers an addition to Herbert W. Simon's theory on phases of leadership in various social movements by examining the rhetoric of the leader of the United Mine Workers of America and the leader of the United Steelworkers of America. (MH)

Explores the viewpoint that an epistemic view of rhetoric is restrictive and de-emphasizes other useful conceptions and functions of rhetoric. Maintains that Kenneth Burke's conception of symbol-using has shifted and is now dialectical, with both ontological and epistemic perspectives simultaneously governing the symbol-using process. (MS)

Argues that the development of a rhetorical theory for social movements is a lost cause. Examines two questions: (1) how movements differ from other forms of collective behavior, and (2) whether these differences create rhetorical differences. (PD)

Explores the diverse forms and motives of the conversational frame in public address. Argues that, by framing their remarks and transactions with their listeners as conversational, orators may attempt to reconstruct or seem to reconstruct speaker-audience relationships and to position themselves and their audiences within networks of reciprocal…

Argues that Spike Lee, in his film "Do the Right Thing," used a form similar to classical Greek drama in order to embed inconsistent themes into the film. Suggest implications in relation to the functions served by narrative rhetoric and a polysemic critical practice. (SR)