Discusses a reader-response approach to teaching Nathaniel Hawthorne's RAPPACCINI'S DAUGHTER. (MM)

Argues that, in their roles as responding audiences for student writers, teachers need to be clear as to whether they are taking the perspective of writer or reader. (FL)

Discusses the connections between the study of literary texts, language, and composition and the impact of these connections on English instruction and English programs. (SRT)

Argues that though college examiners seem to desire candidates' personal responses to literature, the examination questions require students to reply to the opinions of others rather than explain their own opinions. (SRT)

Argues that coping with the complex demands of a story not only increases readers' enjoyment of literature, but also aids in intellectual and interpretive enjoyment. (HOD)

Efferent teaching asks the student to read for a predetermined answer, focusing on another person's ideas of the text's meaning. Aesthetic teaching allows for literature to be read and experienced as art through the reader's personal transaction with the text which focuses on one's own interest to create and understand the meaning. This paper…

Jeffrey Wilhelm extrapolated 10 different dimensions of response to reading, which he grouped under the headings of "evocative,""connective," and "reflective" dimensions. A study used these dimensions of response to measure some of the activities set by a group of teachers and some of the written and oral work…

Examines persuasive text, first describing it and discussing it with reference to relevant philosophy and rhetoric, and then asking whether it is successful: do written texts change the minds of their readers? Notes that research on designing text to disabuse students of scientific misconceptions points to text features that authors could use to…

Reports on a study of what children actually bring to the act of reading picture books in terms of their expectations, their reading or life experience, or their understanding of artistic styles. (TB)

Presents a point, counterpoint strategy which helps students build a repertoire of interpretive strategies that can be enlisted when dealing with complex short stories. Notes that the key to the strategy is that students begin with their personal responses and move toward more public and generalized interpretations. (RS)

Drawing on works of literary theory and postmodern fiction, discusses the relationship between reader, writer, and text. Examines the boundaries and frontiers that writers patrol and readers inhabit as they live out their personal lives with texts. (DMM)

Examines two readers' images of literary characters as a basis for studying text meaning construction. Finds greater variation than commonality between the text and readers, as well as between the readers. Suggests using dialogue and rereadings in instruction to aid in developing and monitoring text understanding. (SR)

Examines how writing features influence recruiters' assessments of resumes. Finds that if resumes of technically well-qualified applicants contain grammatical errors, recruiters rate their resumes lower than resumes listing less experience, but containing more accurate writing. (MM)

Examines the nature of third graders' responses to the literature that is read aloud to them. Documents both individual and class development in response patterns over time. Finds responding to literature fostered comprehension, discussion, and writing skills, and promoted emotional involvement with and appreciation of literature. (MG)

Explores reader and text effects on the production of mental imagery during and after reading a poem, a story, and two expository texts. Finds that imagery occurs spontaneously during and after reading all texts and that the production of imagery is affected by both reader and text. (RS)