A key instructional goal of English language arts instruction is teaching students to read and interpret complex literary texts. This report reviews the literature on the development and pedagogy of literary analysis skills. It analyzes literary analysis skills as a "key practice," a bundle of disciplinary skills and strategies that form…

Reflecting on 45 years of teaching and research, Lee Galda argues that practice based on transactional theory is essential for the effective teaching of literature.

After briefly reviewing how reading is conceptualised in the "Progress in International Reading Literacy Study" and the English National Curriculum, this article examines two unofficial reading activities in a class of 10-11-year-olds' to see how far these activities match up with the official definitions of reading, or whether they…

Throughout adolescence, children begin to develop their life story: a coherent account of their experiences and selfhood. Although the nature of this development is still being uncovered, one promising direction for research is the examination of factors that could encourage life story development. Here the authors explore the idea that exposure…

In English as a Foreign Language (EFL) classrooms, where acquisition of English is the ultimate goal, one of the main tasks for the teacher is to provide students with language input and activities that best aid them in their learning process. As different researchers have reported, including poetry-based activities in the EFL classroom is…

This article takes as its starting point the idea that policies of "personalising learning" and promoting "creativity" raise issues for assessment which the present framework for assessment and testing in schools in England and Wales does little to address. It explores the notion, also touched on elsewhere in this issue, of a…

Assuming that readers' emotional responses can enhance readers' metacognitive experiences and inform literary analysis, this study of 11th-grade poetry readers features instruction that models both cognitive and affective reading processes. The author: (1) Presents a case for more explicit attention to emotion in language arts classrooms; (2)…

In this article, the author redefines "text" and "poem" so that attention will be focused on the reader. The text, she argues, lies inert on the page until the reader comes along and brings it to life in the act of reading, reacting, and reflecting. A poem, then, must be thought of as an event in time. It is not an object or an ideal entity. It is…

Discusses the conflict over deconstruction, explaining its usefulness in reading, writing, and responding to poetry. After defining deconstruction, presents five approaches to deconstructive reading (self-referentiality, reading from different positions, binary oppositions, figurative/literal language, and intertextuality) and concludes that…

In a recently released report, "Poetry in America", the National Opinion Research Center (NORC), at the University of Chicago, presented the results of a study evaluating American attitudes toward poetry. Commissioned by the Poetry Foundation, one of the largest literary organizations in the world, the research finds that the vast…

Reasons that teachers of literature should have as their focus not what writers do but what readers do in the process of reading literature. Concludes that readers construct literary works based on their own experience, education, and ability to imagine in response to a writer's suggestions. (JAD)

Uses the author's poems to illustrate the interrelationships among a poem's rhythm, lineation, and syntax. (MM)

Presents the third part of a six-part series in which the authors respond to a ninth grader's first impressions of "Reel One," a poem by Adrien Stoutenburg. Urges readers to participate by reading the student's impressions and reflecting on the student's interpretations. (MM)

Recounts the effective use of unusual teaching methods for poetry: (1) allowing students to read and write about Wordsworth outside on a warm spring day, and (2) asking students to keep a journal while reading the poetry of Hughes. Suggests that these approaches allow students to "bring their own experiences" to the poetry text. (NH)

This paper discusses an Owen Wister poem published in 1920 in "The Atlantic Monthly" and brought to the attention of a university class without any information as to its context or its references, and read in various ways by various individuals, as information about the poem's context was gradually discovered. The central issue explored…