This qualitative case study utilized critical media literacy to guide the analysis of the depiction of racially and ethnically diverse college students in contemporary popular films. Participants in this study were racially and ethnically diverse undergraduate students enrolled at a private, predominantly White institution in the United States.…

Past research on critical race media literacy (CRML) in multicultural education has primarily focused on identifying ways of fostering critical awareness of racism in the U.S. educational context. This study aims to present a situated account of a CRML pedagogy in the Korean high school classroom where students critique the racial and gender…

Thomas Rickert warns of the dangers of "pedagogies that seek the disruption and politicization of hierarchies of power and privilege, especially in terms of race, class, and gender" because they can "nevertheless produce new forms of power and privilege that in turn produce new resistances, further alienate already cynical students,…

This article examines the discursive practices presented in "Shrek 2." We apply a critical discourse analysis lens while focusing on the way animated versions of Latinos and African Americans are portrayed. In particular, the essay focuses on Shrek, Donkey, and Puss-in-Boots and the various stereotypical language discourses they reproduce. The…

This article discusses the achievement of the postmodern caballero films and the relevance of the social bandit myth for Chicano resistance. The continued relevance of the social bandit myth is clearly demonstrated by "The Cisco Kid" and "The Mask of Zorro." Both films show how initially flawed or directionless characters can…

Examined how Asian American actors coped with the constraints of being minorities in an industry where physical appearance is crucial to success. Respondents' narratives reflected such coping strategies as not confronting issues of race, rationalizing that things are much better now for Asian American actors than in previous years, and believing…

"Do the Right Thing" leaves the viewer with contradictory and confused messages that suggest that the film has no clear view of racial relations in a city. The film is examined as an ideological statement. It deconstructs contemporary African-American ideologies but does not replace them with new visions. (SLD)

Early images of African Americans in films determined a pattern that survived until World War II. The role of the National Association for the Advancement of Colored People in creating new images of African Americans after the war films is profiled. Although changes seem modest, they reflect some social movements. (SLD)

Popular movie depictions of racial minorities as dysfunctional help maintain the present race-linked social stratification by instilling a sense of social disharmony and justifying continuing racial oppression. The enthnocentric bias of the majority of films reinforces stereotypical perceptions of minorities and legitimizes the status quo of white…

Political conditions have influenced the screen images of U.S. cinema, and the images of African Americans have reflected prevailing social stereotypes. The history of African-American representation in films is traced, and it is noted that the tendency to portray African Americans stereotypically has not changed. (SLD)