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Shaw, Marilyn – 1989
Senior theater programs can act as catalysts for involvement of senior citizens, promoting self-confidence and fostering creativity. Myths about older people (concerning senility, incompetence, decline in intelligence, learning, rigidity, and retirement) should be recognized as inaccurate stereotypes and as barriers to active and productive lives.…
Descriptors: Acting, Adult Programs, Drama Workshops, Dramatics
Peer reviewed Peer reviewed
Galbraith-Jones, Marian; Janney, Kay Print – English Journal, 1987
Describes the following features of the Cutler Playwrights Festival: (1) the contest, which involves publicity and choosing a play; (2) the workshop, in which the play's content, expert, release time, size, and follow-up are decided; and (3) the production, which determines the cast and crew and the final performance. (JD)
Descriptors: Competition, Competitive Selection, Drama Workshops, High Schools
GOODMAN, HENRY; KESSLER, JASCHA – 1965
TWO PLAYS WERE STAGED FOR THE PURPOSE OF DEMONSTRATING THE FEASIBILITY OF AN INTERDISCIPLINARY APPROACH TO AN EXPERIMENTAL THEATER PROGRAM. EXISTING PLANT AND STAFF RESOURCES OF THE UNIVERSITY OF CALIFORNIA AT LOS ANGELES, AS WELL AS PROFESSIONAL ARTISTS, WERE USED IN THE PRODUCTION. A PROFESSIONAL ARTIST AND AN ELECTRONIC SOUND SPECIALIST WERE…
Descriptors: Art Expression, Creative Art, Drama Workshops, Experimental Programs
Converse, Terry John – 1995
This comprehensive guide for instructors and students is designed for both beginning and advanced courses in directing for the theater. The guide presents the basic concepts of directing progressively and is the only directing text that combines theory with "hands-on" participation units. The exercise-driven guide's approach is totally…
Descriptors: Acting, Class Activities, Drama Workshops, Experiential Learning
DAVENPORT, JUDITH K. – 1967
THE PRIMARY PURPOSE OF THEATRE RESOURCES FOR YOUTH (PROJECT TRY) WAS TO CREATE AN AWARENESS OF THE NEED FOR THEATER ARTS PROGRAMS FOR ELEMENTARY SCHOOL CHILDREN IN NEW HAMPSHIRE. TWO MAIN PROGRAMS--CHILDREN'S THEATER TOURING PROGRAMS TO ELEMENTARY SCHOOLS, AND CREATIVE DRAMATICS TRAINING PROGRAMS FOR TEACHERS AND PUPILS--WERE DESIGNED NOT ONLY TO…
Descriptors: Community Involvement, Cultural Awareness, Drama Workshops, Dramatics
George, Mary Yanaga – American Education, 1978
Mixing education with entertainment, the Asolo Touring Theater brings its repertory of plays and student and teacher workshops on theater arts to school audiences in the southeastern states. The article describes the types of productions (participation, traditional, and famous plays) presented for three audience levels from primary through…
Descriptors: Drama Workshops, Elementary Secondary Education, Enrichment, Mobile Educational Services
Long, E. Hudson, Comp. – 1970
This selective bibliography, a guide to scholarship in the American drama and related subjects, provides coverage of the major works and topics, with emphasis on work published in the 20th century. Unpublished dissertations, most literary histories, and short notes and explications are omitted. Entries are listed under the general topics of…
Descriptors: Acting, Anthologies, Bibliographies, Drama
Nutial, Mark – Readers Theatre News, 1977
Tells how a Readers Theatre company adapted their methods for use in classroom workshops, teacher workshops, and performances at a school for hearing impaired children. Available from: Readers Theatre News, Speech Communication Department, San Diego State University, San Diego, California 92182. (GW)
Descriptors: Deafness, Drama, Drama Workshops, Elementary Education
Hutchinson, P. William – 1977
Six months of observation--at two universities, at a drama festival, and with several independent theatre companies--form the basis for this evaluation of theatre in Kenya, Africa. While Kenyan dramas deal with a variety of themes, the majority are topical rather than universal in their treatment of issues. In many, the emphasis is on the…
Descriptors: Acting, African Culture, African Literature, Drama
Johnson, Albert and Bertha – 1969
This book with a three-part format contains information which the would-be thespian needs to know for maximum enjoyment and success in stage activities. The first part, "Heritage," traces the history and development of the theater from primitive ritual through the drama of classical Greece and Rome, the Renaissance, and modern Europe and America,…
Descriptors: Acoustical Environment, Acting, Characterization, Creative Dramatics