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Brown, Nathan; Dasen, Ann; Trommer-Beardslee, Heather – Journal of Dance Education, 2016
This article describes how the authors completed a project at Central Michigan University (CMU) with undergraduate theater majors and minors and dance minors as part of the annual mainstage dance concert. Although the concert is predominantly choreographed and designed by CMU faculty, students are engaged in every step of the performance and…
Descriptors: Music, Dance, Musical Composition, Lighting
Poliniak, Susan – Teaching Music, 2010
The challenges and joys of presenting high school and middle school musicals are myriad--and, due to the many variables involved, often unlike those of choral concerts, band concerts, or just about anything else that one may encounter as a teacher. With so many moving parts, it is easy to feel overwhelmed, especially if one is new to the game. In…
Descriptors: Middle Schools, High Schools, Singing, Theater Arts
Barrell, M. Kay – 1991
This handbook is designed for specific use by performing arts presenters and touring companies. These companies pose an immense range of production requirements and challenges to a presenter. The book stresses the basics of technical production with an emphasis on presenting dance. Dance has more inherent pitfalls in its production requirements,…
Descriptors: Dance, Drama, Guidelines, Guides
Hayes, Elizabeth R., Ed.; And Others – 1981
This publication provides suggestions for school and professional level dance program production. The first chapter contains a brief history of twentieth century costumes and settings for dance. The second chapter discusses program planning, auditions, and rehearsals. Costume design and construction are covered in the third and fourth chapters. In…
Descriptors: Applied Music, Clothing Design, Cultural Activities, Dance
Tucker, John Alan – Speech Teacher, 1975
Deals with the problems encountered by beginning opera directors. Emphasizes consideration of rehearsal scheduales, conductor-director relationship, and script interpretation. (MH)
Descriptors: Dance, Drama, Higher Education, Music
Johnson, Albert and Bertha – 1969
This book with a three-part format contains information which the would-be thespian needs to know for maximum enjoyment and success in stage activities. The first part, "Heritage," traces the history and development of the theater from primitive ritual through the drama of classical Greece and Rome, the Renaissance, and modern Europe and America,…
Descriptors: Acoustical Environment, Acting, Characterization, Creative Dramatics
SUMMER, MARK R. – 1967
UNDER A U.S. OFFICE OF EDUCATION GRANT, AN INVESTIGATION WAS MADE OF TECHNIQUES AND PROCEDURES USED IN LONG TERM COMMUNITY SPONSORED EPIC PRESENTATIONS BY MAJOR OUTDOOR HISTORICAL AND CLASSICAL DRAMA COMPANIES OPERATING IN THE UNITED STATES. THE PRINCIPAL FINDINGS ARE BASED ON 83 ON THE SPOT SURVEYS AND INTERVIEWS WITH DIRECTORS AND STAFF MEMBERS…
Descriptors: Administrative Organization, Audiences, Audio Equipment, Budgets
Pratt, Suzanne – 1997
This performance guide is designed for teachers to use with students before and after a performance of "The Nightingale," a dance-theater performance conceived and choreographed by Dana Tai Soon Burgess, written and directed by Mary Hall Surface, and adapted from the story by Hans Christian Andersen. The guide, called a…
Descriptors: Class Activities, Cultural Activities, Dance, Elementary Education

Schindel, Dorothy Napp; Oughtred, Karen – Stage of the Art, 2001
Describes the development, production, and performance of "Harvest Ceremony: Beyond the Thanksgiving Myth," a museum theatre piece performed annually at the Smithsonian's National Museum of the American Indian's Gustav Heye Center. Notes that the play gives the audience a fresh perspective on the first Thanksgiving from the Native point…
Descriptors: American Indian Culture, American Indians, Dance, Elementary Education
Magidson, David J. – 1983
Attempts to apply elements of Japanese theatre to western productions, though commendable, are frequently unsuccessful. Effective use of the Japanese theatre's acting or production techniques requires knowledge of the forces producing its specific styles and techniques. Noh and Kabuki drama harmonize music, dance, and drama to create an awareness…
Descriptors: Acting, Aesthetic Values, Cultural Context, Cultural Differences
California State Dept. of Education, Sacramento. – 1974
The material in this publication outlines ways in which drama/theatre may be used to help students develop their imagination and their communication skills. This framework presents a process-concept organization which spans the grade levels fron kindergarten through twelfth grade and which provides guidelines for determining expectancies for…
Descriptors: Acting, Communication Skills, Creative Dramatics, Curriculum Guides
Wolf, Thomas – 1991
This handbook for organizing performance presentations, designed for professional organizations and volunteer or not-profit organizations, focuses on how to manage a presenting organization. The volume features 40 specific rules to guide groups presenting performances. The rules include: (1) get organized, (2) know the law, (3) remember performers…
Descriptors: Administration, Art, Artists, Arts Centers