Describes an art activity that (1) began with students interpreting slides of artworks by Chicago (Illinois) artists and (2) led to students creating artworks directly on slides. Explains that students included descriptions and meanings of their works. (CMK)

Describes developments in strategies used by preschool and third grade children when drawing a three-dimensional model from observation. Concludes that children are able to devise unique responses to solving the problem of representation and that stage theory may be inadequate in explaining their performances. (Author/BSR)

Describes how first grade children used rug samples as tails for the animals they drew. Maintains that unusual scrap material can be the starting point of imaginative artworks. (KM)

Describes a lesson for third-grade students that begins with an examination of bird prints done by John James Audubon and moves into the students creating their own torn paper birds. Introduces the students to the beauty of birds and focuses on the environmental issues that face birds and their habitats. (CMK)

This study extends previous work in the use of descriptive reinforcement procedures to increase productivity of new forms in artwork. Subjects were four kindergarteners who demonstrated an absence of diverse forms in their paintings. Results indicated that form diversity was improved and that the improvement lasted over time. (SJL)

Gives an art activity for second-graders where they use two art techniques, tissue gluing and tempera painting, to create brightly colored pictures of landscapes. Expounds that first the students examine a variety of landscapes by different artists, such as Paul Cezanne, and then learn the differences between the foreground and background. (CMK)

Graphic strategies employed by children, ages three to seven, to draw a family, children playing, a birthday party, and a garden were documented. Results indicated that strategies were task-dependent and flexible. The children developed progressively complex graphic routines in relating one figure to another within a composition. (Author/SR)

Interview with artist Ilka List describes her research: collecting 1872 drawings from rural and urban second- and third-grade children to determine the impact of environmental experiences on children's art, sense of self, and cognitive and emotional abilities. Children with a broad range of outdoor, nature-oriented experiences had greater spatial…

Imagination is central to our ability to understand reality. Parents and teachers should foster creative processes which facilitate the development of imagination in children. Expensive equipment or artistic expertise is not necessary to help children develop their imaginations. Instead, it is more important for teachers to allow children the time…

Analysis and assessment of young children's spontaneous writing and drawing in daily journals may focus on three significant dimensions: what, who, and how: what stands for thought and meaning; who, for person; and how, for form. These categories may be further divided. Thought and meaning include theme(s), organization, and vocabulary; person…

Recommends using learner-controlled instruction and student sketchbooks in the primary grades as a means of countering institutionalized and standardized expectations of young students' artwork. Maintains that, left to their own devices and gently encouraged, children will produce original, creative, and personal art. Describes examples from a…