Throughout much of the 20th century, English departments were the crown jewels of the humanities. Exposure to great literature was often considered essential for students expected to assume lead roles in business, law, government, and society. Today, English departments have lost their position at the center of the American university. Enrollments…

Many teachers have known of (or been members of) departments in which all of the potentially successful chairs--after having proven themselves by running subunits or graduate programs--have decided to devote themselves solely to research or teaching, and to leave department administration to whoever is willing to do it or whoever can be talked…

This essay provides an account of The Ohio State University's (OSU) rhetoric department during the tenure of Joseph Villiers Denney, arguing that he appropriated and repurposed national trends in education and rhetoric in ways that complicate the narrative of rhetoric and composition's decline in the late nineteenth century. In this essay, the…

Several years ago, when his college first financed a writing program administrator (WPA) position--reassigned time and a budget to pay adjunct faculty stipends for program development--the author met with all the most senior adjunct faculty. "Without you," he told them, "this effort to build a better writing program won't work. Participation and…

In this case study, you are the associate superintendent and chief academic officer (CAO) of a large school district in the southwest. The case involves the complex issue of how to serve the burgeoning adolescent immigrant population in your school district. The study considers how a school that is situated in the heart of a Hispanic/Latino…

Argues that composition is at risk of losing its "disciplinarity." Grounds this argument in Jacques Derrida's notion that whatever counts as the condition for achieving certain identity becomes the very condition of its failure. Argues that in a Derridean reading, composition will cease to be as it is now known. (RS)

Discusses the state of English studies, focusing on the literary canon, literature and other disciplines, the function of theory, and the politics of literature. (MM)

Advocates the use of wide-area networking systems (WANS) by English departments to bring the whole world's public discourse into classrooms. Maintains English departments need people who speak the language of networking technology to understand how it can support or defeat pedagogical goals, and to garner computing resources. Offers a brief…

Defends literary education by describing what is distinctive and central and valuable about the collective enterprise. Offers some negative prescriptions--some important ways not to respond to the challenges facing the profession--and some positive suggestions as well. (SC)

Considers how the creativity of individuals can best benefit the whole, without making others feel disenfranchised. Presents four assumptions addressing fragmentation, the reason for fragmentation, the role of the chair regarding fragmentation, and the role of individuality in a small vs. large institution. Notes the author's department has…

This essay offers a history of a basic writing course that began at a public ivy campus in the 1970s. Relying on principles of universal design and on insights derived from his school's studio program about ways the institution's selective functions can impact curricular matters, the author describes how the basic writing course was merely…

Describes "academentia," the delusion that disciplines are intellectually powerful as a result of their specialization. Prescribes "neighborliness"--intellectual and practical work done from the perspective of critical consciousness--as the antidote to academentia. Suggests that writing projects have great potential as…

Describes the distinction between the National Endowment for the Arts, which funds artists, and the National Endowment for the Humanities, which funds those who talk about art. Examines the similar distinction in alliances between writers and scholars in English departments, focusing on their effects on writing programs. (MM)

Maintains that the humanities get "screwed" in the academy because they are feminized. Explores this process of "feminization," focusing on college English departments. Offers a different view of the relationship between "soft" humanities and "hard" disciplines, reconceived from a feminist perspective. (SR)

Argues that literary history and estimations of literary value are inseparable and that their connection has import for debate on the contents of the literary canon. Suggests possible requirements for developing a feminist theory and practice of evaluation. (SR)