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Keefe, Carolyn – 1991
A study examined the question of what sequence patterns, if any, of covering oral interpretation topics emerge from forensic coaching sessions. To answer the question it was first necessary to analyze the process used by the coaches. Process was defined as the action of passing through continuing development from a beginning to a contemplated end.…
Descriptors: Data Analysis, Higher Education, Literary Criticism, Oral Interpretation
Mathis, Jerry W. – 1981
The successful oral reading of poetry requires that oral interpreters conduct phenomenological investigations of the first lines of the poems, not merely to make these lines happen properly but to suggest what has preceded the first line. Individual word meanings in the opening lines of a poem establish "structures of intentionality"--the…
Descriptors: Discourse Analysis, Higher Education, Literary Criticism, Literary Devices

McFarlane, Peter – English in Australia, 1983
Describes Friendly Street, an Australian self-help community of writers existing outside schools that offers writers a chance to read or publish their written works. (HOD)
Descriptors: Community Involvement, Community Programs, Oral Interpretation, Poetry
O'Connor, Beth – 2003
In this lesson, grade 6-8 students analyze a variety of poets and their poetry by reading and listening to their work. Students then use information gathered from Internet resources to select a favorite poet and perform one of their poems for the class. During the four 30-minute and five 20-minute sessions, students will: analyze a variety of…
Descriptors: Audience Awareness, Internet, Lesson Plans, Literary Criticism
Thirteen WNET, New York, NY. – 1998
This teaching guide packet is designed to accompany a 3-part television series, "Poetry Heaven," which captures many of the brightest and most memorable moments of the 1996 Geraldine R. Dodge Poetry Festival. The series presented in the packet features 18 poets whose personalities, voices, and points of view reflect the power and…
Descriptors: Class Activities, Contemporary Literature, Creative Writing, Cultural Enrichment

Reiser, Jamie – Reading Teacher, 1989
Describes how performing Shel Silverstein's poems is an effective method to practice oral expression. Notes that although this activity was used in a fourth grade class, it could be adapted to any grade level. (MM)
Descriptors: Class Activities, Drama, Elementary Education, Grade 4
Holm, Todd T. – 1995
It is a surprising fact that a student of speech can compete in prose, poetry, drama, and program oral interpretation without ever needing to develop two characters, without ever needing to establish two separate focal points in the same piece, and without ever learning to adapt to a new style of writing. This can be done if the student simply…
Descriptors: Drama, Higher Education, Monologs, Oral Interpretation
Bacon, Wallace A. – Southern Speech Communication Journal, 1976
Defines interpretation as the act and art of becoming, and correlates this concept with studies in the humanities which have as their concern the refining, civilizing and freeing of the human spirit. (MH)
Descriptors: Aesthetic Education, Educational Objectives, Higher Education, Humanities
Athanases, Steve – 1981
A study was conducted to elicit the responses of five college students to their involvement with a single poem over a period of three weeks to determine if such involvement led to a greater appreciation and understanding of the poem. Each student began with a silent reading of the poem, moved to a study of it based only on silent readings, then…
Descriptors: College Students, Communication Research, Higher Education, Literature Appreciation
Stewig, John Warren – 1978
Choral reading can be used by teachers to enhance children's appreciation for poetry and to develop their personal, social, psychological, cognitive/affective, and language values. It is useful for teachers to begin by creating an awareness in children of the basic elements of choral reading: tempo, rhythm, pitch, stress, and juncture. Then an…
Descriptors: Choral Speaking, Elementary Education, Group Reading, Interpretive Reading

Kintgen, Eugene R.; Holland, Norman N. – College English, 1984
Attempts to show in detail how the human literary activity called literary interpretation consists of personal selection and use of communal tools. (CRH)
Descriptors: Educational Theories, Higher Education, Oral Interpretation, Poetry

Lewis, James J.; Larsen, Janet K. – Journal of the American Forensic Association, 1981
Contends that inconsistent judging often leaves contestants more confused than educated. Analyzes the effects of training and experience on judges' agreement in oral interpretation contests. (PD)
Descriptors: Communication Research, Competition, Evaluation Methods, Higher Education

Lott, Joyce Greenberg – English Journal, 1989
Describes a poetry assignment in which students select a poem to analyze and present before the class. Observes that unlike the traditional postures of detachment and impersonality, this approach of self-selections encourages students to establish an intimacy with poetry. (MM)
Descriptors: Class Activities, English Instruction, High Schools, Oral Interpretation

MacArthur, Mary Ellen R. – English Journal, 1989
Describes a poetry-presentation assignment in which students select poems from examples studied in class and prepare oral presentations incorporating visual, dramatic, technical, or musical arts. Describes several student presentations resulting from this assignment. (MM)
Descriptors: Class Activities, English Instruction, High Schools, Oral Interpretation
Ratliff, Gerald Lee – CEA Forum, 2006
The primary pedagogical principle of Reader's Theatre is that it "dramatizes" literature to provide both a visual and an oral stimulus for students who may be unaccustomed to using their imagination to experience literary works like novels, poems, essays, or short stories. Promoting a suggestive, "theatrical mind" approach to…
Descriptors: Theater Arts, Oral Interpretation, Literature, Performance Factors