The primary pedagogical principle of Reader's Theatre is that it "dramatizes" literature to provide both a visual and an oral stimulus for students who may be unaccustomed to using their imagination to experience literary works like novels, poems, essays, or short stories. Promoting a suggestive, "theatrical mind" approach to…

WRITTEN FOR BOTH THE "GENERAL" STUDENT INTERESTED IN CRITICAL APPROACHES TO LITERATURE AND THE ORAL INTERPRETATION STUDENT WHO NEEDS A VARIETY OF CRITICAL ANALYSES TO COMBINE WITH ORAL PERFORMANCE IN HIS STUDY OF LITERATURE, THIS BOOK PROVIDES FIVE EXAMPLES OF DIFFERENT CRITICAL APPROACHES TO LITERATURE AND ITS ORAL INTERPRETATION. PART 1, "THE…

This journal issue deals with the ways in which elements of a literary text specify the manner in which an oral interpreter will present the text to an audience. After an introductory statement, four poems by a contemporary poet are presented as sample texts. Four commentators discuss the ways these poems might be interpreted to an audience, and…

This journal issue presents teaching ideas based on the city of Chicago and the literary works of its citizens. The first article describes a combined social studies/English course based on the study of Chicago's influence on literature and history. Included is a course outline with required readings, class activities and assignments, an…

This study assesses the role of oral interpretation in a comprehensive theory of discourse and suggests how oral interpretation may be integrated with the study of literature. Oral interpretation is thought to be useful to the student of literature because: (1) the analysis may lead to a valid interpretation of the work; (2) focus is placed on the…

The purpose of this second book of 21 self-contained essays is the same as that of the first volume published in 1972: to bring together the scholarly theory and current research regarding oral interpretation. One third of the essays are centered on literature itself: prose fiction, poetry, and the drama. These essays discuss topics such as point…

In an attempt to make poetry interesting to high school students, a teacher tried a "Dramatic Readings Assembly," which was planned, written, and produced by students. Four students were selected to plan the theme and structure of the production, read and research the program material, and write the final script. The plan chosen for the program…

THE BASIC PREMISE OF THIS BOOK IS THAT LEARNING TO READ ORALLY IS OF FUNDAMENTAL IMPORTANCE TO THOSE WHO WOULD FULLY APPRECIATE OR RESPOND TO LITERATURE. BECAUSE READERS MUST INTERPRET LITERATURE ALWAYS FOR THEMSELVES AND OFTEN FOR AN AUDIENCE, THREE ASPECTS OF ORAL INTERPRETATION ARE EXPLORED--(1) THE CHOICE OF MATERIALS, WHICH REQUIRES AN…

Written primarily for the secondary school English teacher, this book suggests specific projects to extend the range and variety of the English curriculum and to develop the students' language skills and imaginations. Part I contains discussions of the nature and purposes of English lessons, the place of literature in education, methods for…

The 10 readings collected in this volume emphasize the value of oral interpretation as an approach to teaching literature in the secondary school. Wallace A. Bacon indicates how the act of interpretation as it is experienced in the reader's mind can recreate the act of literature. Frances L. McCurdy, Margaret M. Neville, and Allen Bales discuss…