This article underscores the importance of Canto 7 in the design of Part One as well as its significance in the overall architecture of Alonso de Ercilla's "La Araucana" (1569, 1578, 1589). During his depiction of Concepción's destruction, Ercilla collapses the dichotomies established in the poem's opening cantos between the masculine…

A grief-stricken daughter calls out to her deceased mother asking if she can see her--"Si me puedes mirar"--and thus recognize her pain. This title appears in Olga Orozco's "Los juegos peligrosos" (1962), an elegy in which a poetic voice (in this case a daughter) laments the loss of her mother, the woman who recognized and…

If we study the shared themes of these two poets, it will be observed that although they are distant culturally and geographically but a similarity and a mental resemblance between their works can be identified. Forough Farrokhzad, the Persian poet, in whose last works experiences an evolutionary trend and actually achieves a thematic revolution,…

Sor Juana Inés de la Cruz (1648-1695) is a legend in her native Mexico and elsewhere in Latin America. She is esteemed for the artistic and intellectual quality of her wide-ranging poetry, plays, and prose writings. She is renowned for her defense of the right of women to study, to publish their scholarship, and to teach, all controversial claims…

Techniques for using children's rhymes, games, tongue twisters, and fables in Spanish to teach bilingual education classes are described. It is argued that these abundant materials serve as natural sources for authentic Spanish from a variety of Hispanic cultures. With the appeal of rhythm, rhyme, and game-like feeling, they can be used to teach…