Describes how third grade students learned about fresco paintings in Pompeii and made their own frescoes by pouring plaster into styrofoam trays and painting the surface. Students discovered they could control the paint better because of the porous surface of the plaster. (KM)

Presents three classroom activities based on four portraits from the John and Mable Ringling Museum of Art (Florida). Discusses cultural context and values represented in the portraits. Includes lesson plans and four full-page color photographs of the portraits. (CFR)

Describes a two-week arts appreciation unit implemented by a sixth-grade teacher at Graham Elementary School in Los Angeles. The unit introduces the students to Parisian art and architecture, the music of Wagner and Stravinsky, and the paintings of Monet and Chagall. Visual and aural exposure to art and music, group discussions, and hands-on art…

This text consists of a series of classroom handouts created over a two-year period as a supplement to the text used in a junior college music and visual arts appreciation course. These materials are designed to be presented in a one-quarter course in fine arts appreciation for nonmajors who are unlikely to take further courses in either music or…

A MORE STIMULATING ENVIRONMENT COULD BE PROVIDED IN MANY IOWA SCHOOLS IF EACH SCHOOL'S ART DEPARTMENT WOULD TAKE THE INITIATIVE AND PROVIDE THE NECESSARY LEADERSHIP FOR INTERNAL FACELIFTING PROJECTS. HOWEVER, IN SMALL RURAL SCHOOLS, WHERE SPECIAL ART TEACHERS ARE NOT AVAILABLE, THE CLASSROOM TEACHERS MUST FILL THIS VOID BY BEING CREATIVE AND…

This guide to teaching art in the elementary grades aims to develop art experiences that stimulate visual awareness, personal expression, self-evaluation, and ease in using art media. The following art experiences are covered with activities classified in order of difficulty: clay, collage, crayon, drawing, masks, mobiles, mosaics, murals,…

Describes an exercise in which junior year nursing students, who had just completed a course involving the introduction of nursing diagnosis, go to an art museum and look at art from the point of view of nursing diagnosis. The author examines student responses and whether certain goals were accomplished. (CT)

Describes a half-year curriculum called "Portraits," developed by three middle school teachers in collaboration with the education department of a museum, in which students learn and practice the skills involved in visual observation and apply them to reading and writing: precise observation of detail, accurate inference based on these facts, and…

Provides instructional strategies and materials designed to introduce students to Spanish art. Includes four lesson plans with student objectives, background information, and step-by-step instructional procedures. Also includes four full-page color reproductions of paintings by Murillo, Picasso, El Greco, and de Goya. (CFR)

Discusses how computer experiences need to move beyond lessons that regard the computer as merely an extension of older art forms to studies that examine the inherent qualities of the medium. Maintains that art teachers should take advantage of the rich interchanges that can be developed between art and technology. (KM)

Describes two sixth-grade lessons on the work of M. C. Escher: (1) the first lesson instructs students on tessellations, or tiles that interlock in a repeated pattern; (2) the second lesson explores Escher's drawings of transitions from two- to three-dimensional space. (DSK)

Included in the manual on art are suggestions concerning growth through a good classroom climate, orderly arrangements, displays, and a good visual experience; a view of development through art, concept differentiation, motor and sensory skills, self fulfillment and thought processes, and art as therapy; and the art program itself. The program…

This tentative course outline is for use in one of the Quinmester Program classes, Opaque Watercolor. Designed for students in grades 7-12, with no prerequisite, the course includes the introduction of a variety of techniques in a number of opaque media including tempera, gouache, and cassein. Matting and mounting techniques are also taught. A…

Introduces students in grades seven-nine to the sometimes ambiguous differences between abstract and realistic art. Explores ways in which the same idea can be expressed in both formats, using Cy Twombly's "Synopsis of a Battle" as an example. Students research a war and create both abstract and realistic pictures of the battlefield…

Describes an art project that relates a fifth grade arithmetic lesson with a drawing assignment. Students first learned to enlarge a drawing on a grid, and then were given a segment of a cut-up reproduction of a Picasso painting and asked to enlarge and duplicate their portion. Completed pieces were combined for the final product. (LS)