Eighth-grade students were asked to produce two faces as a sculptural self-portrait series. The faces were to show a change in mood through modifications of expression. After construction, the facial shells were to be painted with a design which would both enhance and unite the expressions. (RM)

Junior high school teacher and his students investigated use of space and shape relationships in painting and architecture. (SP)

Maintains that, by the time students reach sixth grade, they are tired of painting flowers. By viewing them through the eyes of the artist, Georgia OKeefe, students interests are revived. Students analyzed her methods and then drew and painted their own large scale paintings. (KM)

Presents a lesson plan developed around the work of architectural muralist Richard Haas. Discusses the significance of mural painting and gives key concepts for the lesson. Lists class activities for the elementary and secondary grades. Provides a photograph of the Haas mural on the Fountainbleau Hilton Hotel, 1986. (GG)

Presents a lesson that introduces students in grades K-three to sources of design inspiration in contemporary urban settings. Using Don Eddy's painting of a jewelry store window display, asks students to describe and analyze the interplay of shape, pattern, and color. Suggests studio activities, including an activity in which students build a…

Illustrates the skill and inspiration of master art teacher, Frank Wachowiak, by presenting three lessons for children: "Fruits and Vegetables" or "Leaves" in crayon resist, "X-ray Trees" in crayon engraving and "Angels or Self-portraits" in tempera. Lessons emphasize the use of patterns and textures, as…

Presents the experiences of an art teacher during the first year of teaching art to elementary students. Discusses methods of developing a creatively fulfilling art class, including how the artroom was transformed into the "Paintbrush Palace" and how the teacher became "Queen Paintbrush." (DB)

Uses the work of M. C. Escher to instruct upper elementary students in the transformation of flat shape into three-dimensional form. Outlines the lesson as a series of sections: (1) reviewing form drawing; (2) creating three-dimensional effects; (3) imagining the forms in an inhabited world; and (4) using color and shading. (DSK)

The generalization of "trained" creativity in easel painting to untrained creativity in blockbuilding was examined in two preschool boys. Verbal reinforcement of every different form painted in a picture increased both the number of different forms per picture and new forms (those appearing for the first time in the total output of…

Prepared by a curriculum writing team of secondary teachers, this draft curriculum guide for grades 7-12 includes 25 levels of achievement in art. Each level has stated behavioral objectives and a list of suggested activities from which it is hoped the teacher will pick the most appropriate ones for his/her classes. Some of the areas of art…

Recommends that art be shown to toddlers, while being receptive to the different ways in which they respond. States that images should relate to the toddler's interests and be placed at their eye level. Discusses how to involve the toddlers' parents. (DAJ)

It is possible to connect art and language arts using traditional Japanese art. After explaining the Japanese art forms of Haiku poetry and sumi-e painting, the article describes a project in which students write haiku on special paper then illustrate their poems with gung and shey strokes. (SM)

Shows how a visually exciting object--a motorcycle-- motivated middle and high school students to improve their observation and drawing skills. Outlines the drawing and painting assignments and shows illustrations of the students' work. (DB)

Relates an art project for seventh-grade students that uses the creation of museum bags to study portraiture and the painting styles of famous artists. Explains how students made a bag with a portrait of the artist on one side and a painting by that artist on the other. (DSK)

This book uses Caldecott Award winning books as a resource for classroom teachers to provide students with experiences that combine art with children's literature. The book contains three lessons for each of the 57 Caldecott books from 1938-1994. Lessons examine the key art concepts contained in the illustrations of the Caldecott books. These…