Poet and essayist Gary Soto considers the senses while reading and the purpose of maintaining a reading life. According to the author, it's the pleasure of a story, and the intimacy of getting to know the characters well enough to exercise tenderness (or dislike) toward them. It's to weigh but not judge the behavior of characters, who are like…

The authors share findings from a recent study of teens who freely select to read texts typically marginalized by schools (dystopia, vampire, romance, horror, fantasy), revealing the distinct functional and psychological benefits of pleasure reading. The students who participated in the study that the authors report on were eighth graders who…

Explores the enormous attraction for young readers of series books (such as Nancy Drew, Hardy Boys, and currently "The Baby-Sitters Club"). Discusses what children might learn from such reading, often thought of as pap literature by adults. (SR)

Examines Gary Crew's novel written for a young adult audience, called "Strange Objects," a story containing verifiable historical fact interwoven with elements of fiction and the supernatural. Shows how the numerous genres and viewpoints in the book challenge and contradict one another, forcing young readers to perform resistant readings…

An author recommends that young children read good fiction rather than stories in basal readers. Recounts her dismay when one of her books was adapted for a basal reader and the language was changed and simplified. (NKA)

Describes an individualized reading program called First Reader, which allows student tastes to be used and offers a nonthreatening environment in which to talk about a novel. (CRH)

Composition classes at East Georgia College, a two-year college in the University System of Georgia, use some literature and literary discussions without compromising the "integrity" of the composition course. Cultural backgrounds of students are similar--most come from non-reading homes, and some say they have never read a whole book.…

Presents a study of students in Australia, Canada, and England and examines grade nine students' written responses to writing over a two year period and their opinions of the books they read. Suggests that for students of that age, creative written responses to writing are the most imaginative. (JC)