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Ortquist, Leslie – Visible Language, 1989
Offers Alain Robbe-Grillet's novel "La Belle Captive" (which employs 77 paintings by the Belgian surrealist Rene Magritte) as playful interchange between word and image. Argues that the novel may be understood to demonstrate a fundamental relationship of inequality between word and image. (RS)
Descriptors: Art Criticism, Art History, Art Products, Novels