Claiming that literary newswriting is not a contradiction in terms, that is, an oxymoron, this essay examines some of the criteria against which literary newswriting can be measured, defines what constitutes literary newswriting in contemporary newspapers, and explains how it contributes to modern newswriting. The paper argues that (1) modern…

Herbert L. Matthews, a veteran journalist for the "New York Times," traveled to Cuba in 1957 to interview Fidel Castro, then a revolutionary seeking the overthrow of the Batista regime. This monograph considers the impact of Matthews' newspaper articles about those interviews and of his subsequent articles about the Cuban situation and…

To expose a fundamental conflict in journalism between newsworthiness and objectivity (or novelty and authority) this monograph first examines the parallel between news environment and physical environment. Objectivity is defined here not as a description of the environment, but as symbols in the minds of significant publics, or…

The debate between objective and new journalism centers upon the question of which approach factually depicts reality. Both genres, however, are part of one fact/fiction matrix in which all narrative forms since John Locke have been based upon factuality. The difference between the genres is that new journalism relies upon the sensory data of…

This book, designed primarily as a college text, but also useful for self-study, as a library reference, and as a reference for cub reporters, newscasters, and associate editors, offers guidance on format and structure for the feature writer. Topics discussed include news features, brites, color stories, side bars, and think pieces, as well as…