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D. Gregory Springer; Brian A. Silvey; Nickolas Doshier; Faith Hall – Journal of Research in Music Education, 2024
The purpose of this study was to examine the effects of conductor score use (conducting with a musical score vs. conducting without a score) on observers' perceptions of conductors. We also examined how those effects may differ when viewed from the ensemble perspective compared to the audience perspective. Participants (N = 126) were collegiate…
Descriptors: Musicians, Administrators, Musical Composition, Printed Materials
Laura Montanari – Journal of Transformative Education, 2024
This study investigates how songs and songwriting can facilitate transformative learning experiences. Semi-structured interviews conducted with three professional singer-songwriters from different backgrounds helped define how songs and songwriting can nurture one's soul work, that is, emotions individuation, dialogue between conscious and…
Descriptors: Transformative Learning, Singing, Musical Composition, Self Concept
Senim Çenberci; Julide Gündüz – International Journal of Education and Literacy Studies, 2023
Sigfrid Karg-Elert, one of the German organ composers of the 20th century, introduced the etudes titled 30 Caprices for Flute Solo Op. 107 into the flute education repertoire to meet the technical demands of the period's orchestral music and flute repertoire. Among these etudes, no.30 Chaconne is a concert etude combining elements that require…
Descriptors: Music Education, Musical Instruments, Musicians, Teaching Methods
António M. Duarte; Niki P. Konstantinidi – Creativity Research Journal, 2024
Framed as part of a broader project focused on the creative process of music composers, this study aimed to investigate their perceptions of the sources of inspiration behind their music composition process. These perceptions were explored through a thematic analysis of published interviews conducted with a sample of vanguard contemporary music…
Descriptors: Musical Composition, Musicians, Creativity, Creative Thinking
Heidi Westerlund; Guadalupe López-Íñiguez – Research Studies in Music Education, 2024
Contemporary professional landscapes in classical music fields are rapidly changing and younger generations of musicians are confronting their creative careers, more often than not in connection to self-employment and freelancing. This narrative inquiry investigates the pathways and livelihoods of composers in a changing professional ecosystem…
Descriptors: Music Education, Music, Musical Composition, Musicians
Hill, Stuart Chapman – Research Studies in Music Education, 2022
With the intent of informing the practice of music teachers navigating "multi-musicality" in their classrooms, this qualitative study, employing case study and narrative research tools, investigates the experiences of three musical "boundary crossers"--professional musicians whose work traverses the popular-classical divide.…
Descriptors: Music Education, Musical Instruments, Case Studies, Musicians
Sampsel, Laurie J.; Puscher, Donald M. – Journal of Historical Research in Music Education, 2023
The history of female piano teachers, especially those working with children, remains largely unstudied. Estelle Philleo (1880-1936) is one example from the early 20th century who specialized in group lessons for beginners. A New Woman who never married, she began as a junior piano teacher at the Michigan Female Seminary before graduating in 1902.…
Descriptors: Music Education, Musical Instruments, Music Teachers, Females
Ömür, Özlem – Educational Research and Reviews, 2022
In this study, the American pianist and composer Jeff Manookian's "Etudes for the Intermediate Pianist" method was examined. In this qualitative study, the descriptive research model was employed and the literature was scanned through document review. As a result of the examination, no study was found on Manookian's piano etudes. To that…
Descriptors: Music Education, Musical Instruments, Music, Difficulty Level
Rachel M. Cox – Australian Journal of Music Education, 2022
This paper presents the results of an analysis of the 2021 piano and voice syllabuses of four Australian music examination boards investigating the percentage of included repertoire by Australian and female composers. The study aimed to address a gap in the research into examination boards within the Australian music education landscape,…
Descriptors: Foreign Countries, Females, Musical Composition, Music Education
Han, Wei – Education and Information Technologies, 2023
Chinese musical instruments, both traditional and borrowed, play a pivotal role in the traditional music revival and help musicians to communicate the message, and express the national rhythm and rich musical texture. The purpose of this paper is to conduct a comparative analysis of the learning effectiveness regarding courses via online platforms…
Descriptors: Foreign Countries, Musical Instruments, Musicians, Program Effectiveness
Alonso Trillo, Roberto – Music Education Research, 2023
This article explores the potential of gestural migrations as a novel approach to violin pedagogy, allowing us to trace enlightening parallelisms between the learning of musical performative gestures and the gestural dimension of cinema as a time-shaped/shaping artistic discipline. As a case study, I take the first movement of Claude Debussy's…
Descriptors: Music Education, Musical Instruments, Teaching Methods, Learning Processes
Lierin Buelens; Joris Vlieghe; Thomas De Baets; Wiebe Sieds Koopal – Philosophy of Music Education Review, 2023
In this paper we discuss the musical work of classical composer Benjamin Britten as a lasting legacy for public music education. Our starting point is the contemporary urgency to rethink both public music education in general, and the public-educational significance of Western classical music in particular, in the face of the dual threats posed by…
Descriptors: Music Education, Educational Philosophy, Classical Music, Musical Composition
Lee, Sanghoon – Creativity Research Journal, 2020
According to Franses (2013, 2014, 2016), artists such as painters, writers, and classic composers did their best work at the optimal moment in their lives, and the moment was found to be close to the divine proportion of 0.6180. This study showed that, on average, songwriters wrote their own hits at 0.5206 of their life, which seems to be related…
Descriptors: Singing, Music, Musical Composition, Age Differences
Antonette Ong; Ashwini Namasivayam-MacDonald; Sunny Kim; Sophia Werden Abrams – International Journal of Language & Communication Disorders, 2024
Background: A growing body of research indicates that music-based interventions show promising results for adults with a wide range of speech, language and communication disorders. Aims: The purpose of this scoping review is to summarize the evidence on how speech-language therapists (SLTs) use music and music-related elements in therapeutic…
Descriptors: Music Therapy, Speech Therapy, Speech Language Pathology, Adults
Haley J. Nutt – Journal of Historical Research in Music Education, 2024
In 1950, percussionist and pedagogue Paul Price established an accredited collegiate percussion ensemble course at the University of Illinois Urbana-Champaign, the first of its kind in the country. In this article, I argue that Price's accreditation of the genre, coupled with his many other entrepreneurial initiatives, was made possible by the…
Descriptors: Educational History, Higher Education, Musical Instruments, Accreditation (Institutions)