In this second of three in the series, we explore methods for incorporating instrumental ensembles into your music classroom. Experiences such as performing on ukulele, bucket drums, and in modern popular music ensembles are excellent ways to provide meaningful, relevant music education to students of all ages. Using both research-based…

Ukulele has become popular both for music classrooms and for the everyday musician. Within this article, I outline major considerations for teachers who would like to integrate the ukulele into their curriculum.

At this point, it's pretty much indisputable: The guitar is a cool instrument. For many years, it's appealed to students because of its prominence in popular music. Lightweight, portable, and inexpensive, it makes a more immediate impact than most other instruments--players can begin to make satisfying music on guitar with just a few easy chord…

They have worked as professional musicians, taught in several school districts, and even created a children's educational music video series, all while raising five kids of their own. But as they move into yet another chapter of their careers as music educators, Chuck and Mary Lynn McMichael are still crazy after all these years. Crazy about…

The risk of injury in musicians has been well established over the past twenty-five years. Concerns about the risk of becoming injured have been increasingly present in the music world. Research in performing arts medicine has demonstrated that approximately 25 percent of music students experience a playing-related injury. Since musicians'…

Ankyloglossia is a significant medical condition that has not been adequately addressed in music education literature. While practically every instructor will have students who struggle with ankyloglossia, many teachers are entirely unaware of this condition's various symptoms and treatments. Ankyloglossia, more commonly known as tongue-tie, is a…

The ability to apply knowledge rests at the core of the educational experience and is an important aspect of all teaching. In music education, many experiences are structured so information gained can be related to another activity, but such transfer can be difficult. When students learn to transfer information and knowledge to new situations,…

According to the Austin-based Amati Foundation (a nonprofit group that supports programs for the stringed arts), over the past several decades the number of public school districts offering instruction for violin, viola, and cello has plummeted, from as high as 80 percent in 1960 to less than 19 percent today. Lack of public funding for stringed…

This article suggests ways early childhood music educators can help parents bring more meaningful music activities into their homes. Suggestions are based on survey results from 50 parents with young children at home. The survey investigated the relationship among parents' perceived musical ability, the amount of time they spent in musical…

This article provides general music teachers with resources they can use in their class to: (1) introduce the instrument to their students; (2) energize and reshape their students' attitudes toward the instrument; (3) show older students who are very musical recorder and low flute players who share their love of the instruments through podcasts…

Professional early childhood educators are often asked for advice about whether or when a young child should learn to play a music instrument. Many educators who do not have a background in music education may not be confident in providing such advice. A range of overseas research has supported learning a music instrument in the early childhood…

In teaching band or orchestra, a teachers often find that beginning and intermediate trumpet players may have trouble reaching notes in the instrument's higher register. In this article, the author offers some ideas and techniques that teachers can use in helping students achieve good sound as they head for the high notes. Producing high-register…

The search for band and orchestra repertoire is a quest for quality. It is easy for band or orchestra directors to find lists of music; in fact, the quantity is often overwhelming; professional magazines, free miniscores and CDs, and the constant stream of offerings from publishers bombard the music teacher with the message "buy me." The sheer…

Written by a team of creative and highly qualified music therapists, this publication provides content training for the use of group percussion strategies with mature adults. In fact, the book promotes senior peers as group facilitators and/or coleaders. The grace of this approach is that no previous musical training is necessary in order to…

This book is the first comprehensive resource devoted to steel band pedagogy, it is a must-have for anyone involved in the steel band idiom today. Written primarily for educators, the book addresses a wide variety of topics, including instrumentation, personnel, basic pan technique, repertoire, and rehearsal strategies. This informative text…