Focuses on the use of assessment rubrics with musical composition. Provides guidelines for musical composition assignments and describes the construction and use of rubrics. Includes four example assessment rubrics. (CMK)

Discusses the benefits of commissioning a work for a choral group. Provides guidelines for music educators who commission a piece: (1) know your own needs; (2) find a composer who interests you; (3) help the composer select appropriate lyrics; (4) set a tentative schedule; (5) consider the costs. (CMK)

Maintains that the works of Grazyna Bacewicz foster musical growth and appreciation, increase students' technical skills, and expand their cultural horizons by acquainting students with the traditions of Poland. Explains that her compositions can be adapted to many different teaching approaches and tailored for students of all ages. (CMK)

Examines Marilyn Zimmerman's pioneering work on the applications of Piagetian theory to the study of children's musical development. Discusses "music conservation" and addresses the Piagetian model regarding (1) the implications of the sociocultural perspective and (2) the study of musical creativity. Develops the concept of…

Presents an interview with Dave Brubeck, a composer and performer in contemporary jazz. Covers topics such as how Brubeck introduced his sons to music, whether he differentiates between "popular" and "serious" music, suggestions for helping music teachers develop relationships with composers, and the role music education should have in schools.…

Discusses the music composition teacher's role in terms of four categories: (1) to impart technical knowledge; (2) to give historical perspective; (3) to provide real-world facts about the profession; and (4) to share personal strategies. Addresses the importance of the separation between the teacher's and students' styles. (CMK)

In this article, case studies of teacher interventions in the composing processes of school students aged 11-14 in generalist music classes are described and discussed. The study finds that music teachers have developed their own strategies for formative assessment, unaware that these are valorized by external agencies. (Contains 3 figures.)

We focus on the music students at a conservatoire (A) that only trains performers and composers (performers/composers); a conservatoire (B) that also trains classroom teachers (education students); and a university (C) with only education students. We used a questionnaire to compare the experience and beliefs as instrumental teachers of the…

This paper describes how the musical dice game can be used with beginning, intermediate, or advanced students. In the musical dice game, the student composes six separate musical compositions of five measures each. Each measure of the musical compositions is written on a separate, numbered card. The performance of each measure is determined by…

Students' understanding of musical style periods was assessed at Liberty Baptist College. The investigation was prompted by evidence suggesting that non-music majors who complete a music appreciation course understand a broad overview of music history better than music majors who complete music history courses. Compared to the music history…

An upper division college-level course dealing with women composers for both music majors and nonmusic majors is outlined. The course provides an historical and analytical survey of western music through works composed by women, with emphasis on the 19th and 20th centuries. Students listen to music, participate in class discussions, and listen to…

The purpose of this study was to characterize the behavior of 2-, 3-, 4-, and 5-year-old children engaged in improvisational musical tasks. Ten subjects from each of the four age levels participated in the 4-year investigation, which lasted until the 2-year-olds reached 5 years of age. Children met individually with the investigator for 15 minutes…

This teacher's guide is designed to accompany two 15-minute color television programs dealing with the creative process involved in conceiving a composition. The programs are appropriate for junior high school string students and instrumental students in string methods courses at teacher training institutions. In the program, the composer explains…

This report is the second part of a study designed to construct a test for measuring musical aptitude of persons from various age groups. It covers the construction of the test, material, item analysis, reliability, validity, and possible future steps. The test is composed of musical recordings, determined from pilot studies, that the test groups…

Describes activities and exercises that develop children's music appreciation and general listening skills, preparing them for composing original lyrics and music. (RL)