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Kossanova, Aigul Sh.; Yermanov, Zhanat R.; Bekenova, Aizhan S.; Julmukhamedova, Aizhan A.; Takezhanova, Roza Ph.; Zhussupova, Saule S. – International Journal of Environmental and Science Education, 2016
The purpose of this article is to the study of music as a representative of the picture of the world nomadic culture. With a systemic organization, rich expressive means, music reflects the diversity of the world in its complex, subtle and profound manifestations being the artistic value, key world modeling element. Music can satisfy the aesthetic…
Descriptors: Music, Music Education, Musical Instruments, Musical Composition
Laor, Lia – Journal of Historical Research in Music Education, 2016
The literature of pedagogical music for the piano was the center of unparalleled critical dialogue and scholarly discourse in nineteenth-century Europe. Focusing on the theory of piano pedagogy and the merit of pedagogical music, this discourse was unique not only because of its subject matter but also because it was shared, shaped, and…
Descriptors: Music, Music Education, Musical Instruments, Musicians
Silvey, Brian A.; Montemayor, Mark; Baumgartner, Christopher M. – Journal of Research in Music Education, 2017
The purpose of this study was to investigate undergraduate instrumental music education majors' score study practices as they related to the effectiveness of their simulated conducting. Participants (N = 30) were video recorded in two sessions in which they completed a 20-min score study session and a simulated conducting performance. In the first…
Descriptors: Undergraduate Students, Music Education, Majors (Students), Musical Instruments
Yoo, Hyesoo – Music Educators Journal, 2017
Multicultural choral music has distinct characteristics in that indigenous folk elements are frequently incorporated into a Western European tonal system. Because of this, multicultural choral music is often taught using Western styles (e.g., "bel canto") rather than through traditional singing techniques from their cultures of origin.…
Descriptors: Music Education, Singing, Teaching Methods, Cultural Awareness
Howell, Todd Philip – ProQuest LLC, 2016
Music educators strive diligently to develop musically literate student musicians. Sight-reading new music is one way of displaying music literacy because musicians must simultaneously synthesize an understanding of music notation and technical performance skills. Teaching students to sight-read is important towards developing an independent…
Descriptors: Music Education, Music Teachers, Music Reading, Musical Composition
Tomlinson, Michelle M. – International Journal of Music Education, 2016
This case study employed multimodal methods and visual analysis to explore how a young multilingual student used music improvisation to form a speech rap. This student, recently arrived in Australia from Ethiopia, created piano music that was central to his music identity and that simultaneously, through dialogue with his mother, enhanced his…
Descriptors: Case Studies, Creative Activities, Music, Musical Composition
Palaigeorgiou, George; Pouloulis, Christos – Education and Information Technologies, 2018
Ubiquitous music is a relatively new research area which seeks ways to involve novices in music learning, playing and improvisation. Despite the ambitious goals, ubiquitous music is still unknown territory in schools. In this study, we have tried to identify whether ubiquitous music environments can enable novice music students to participate in…
Descriptors: Music, Music Education, Fairy Tales, Teaching Methods
Pendergast, Seth; Robinson, Nicole R. – Journal of Research in Music Education, 2020
This study was an investigation of middle and high school students' preferences for various music learning conditions and secondary music course offerings. The stratified random sample included students who were and were not enrolled in school music classes (N = 827). Participants represented secondary school music students (n = 369), students who…
Descriptors: Student Attitudes, Preferences, Music Education, Middle School Students
Culp, Mara E. – General Music Today, 2016
Positive self-esteem helps students succeed in and outside of music classrooms. High self-esteem is associated with a positive self-image and fine musicianship. Conversely, low self-esteem is associated with a negative self-image and poorer musicianship. Because students' self-esteem may affect their participation in music classes, the music…
Descriptors: Self Esteem, Music Education, Music, Singing
Viig, Tine Grieg – Research Studies in Music Education, 2017
In recent decades, the teaching and learning of composition has become an important topic for research in music education. Composition is established as one of the three main areas in the Norwegian curriculum "Laereplanverket for Kunnskapsløftet" (LK06, 2006), and the importance of creative competencies is being increasingly recognized…
Descriptors: Foreign Countries, Music, Music Education, Musicians
Yoo, Hyesoo – Music Educators Journal, 2015
Before our current notation system was widely adopted by musicians, improvisation was a key component of music throughout the Western world. One of the fundamental elements of the baroque style, namely, using improvised embellishment, offered musicians great artist liberty. During the baroque period, improvisation spread across Europe and beyond.…
Descriptors: Teaching Methods, Music Education, Creativity, Music Activities
Joao Paulo Casarotti – ProQuest LLC, 2015
German-born composer Ernst Mahle (b. 1929) holds a respected position in the music field in Brazil, his adopted country since 1951. Mahle is the artistic director and co-founder of the "Escola de Musica de Piracicaba," one of the most important musical institutions in Brazil. His work has focused on conducting, composition, and…
Descriptors: Musicians, Musical Composition, Music Education, Elementary Education
Upitis, Rena; Abrami, Philip C.; Brook, Julia; Boese, Karen; King, Matthew – Music Education Research, 2017
The purpose of the present study was to learn about the characteristics of independent music teachers, their beliefs about music teaching, and their studio practices. A self-report survey included questions about the teachers' (a) background experiences, (b) pedagogical approaches, (c) use of digital technologies, and (d) professional development…
Descriptors: Music Teachers, Teaching Methods, Faculty Development, Music
Meleshkina, Elena Anatolyevna; Scherbakova, Anna Iosifovna; Korsakova, Irina Anatolyevna; Slavina, Elena Vladimirovna; Kazakova, Irina Sergeevna – International Journal of Environmental and Science Education, 2016
The article is devoted to the reflection on the problem of the "immersion" in the artistic world of a composer's creative work in a piano class in the beginning of the 21st century. The wealth and diversity of the music material for piano players determine the new quality of understanding music and set high goals and objectives for a…
Descriptors: Music Education, Musical Instruments, Musical Composition, Musicians
Coleman, Jeremy M. – Journal of Visual Impairment & Blindness, 2016
In 2011, a collaborative effort began between the Texas School for the Blind and Visually Impaired (TSBVI) and Austin Classical Guitar (ACG), a local 501(c) nonprofit music organization. The idea behind this collaboration was to start a small guitar program that would provide TSBVI students with quality classroom guitar instruction. At that time,…
Descriptors: Visual Impairments, Music Education, Music, Musical Instruments