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Showing 31 to 45 of 118 results Save | Export
Costas, Carlos Jose – Cuadernos Hispanoamericanos, 1974
Descriptors: Fine Arts, Music, Music Appreciation, Musical Composition
Kuschke, Charlotte – Instructor, 1972
Teaching suggestions for helping children to perform a choral-speaking fugue. (RB)
Descriptors: Choral Music, Choral Speaking, Expressionism, Music Appreciation
Aiex, Nola Kortner – 1985
New York City as a subject has fascinated generations of artists, writers, and musicians. However, the glamorous image of the city has changed over the years, and in the 1960s, popular music, in particular, began to reflect a utopia/dystopia dichotomy in relation to New York. During the past twenty years, six popular singer-songwriters who have…
Descriptors: Audiodisks, Music Appreciation, Musical Composition, Popular Culture
Peer reviewed Peer reviewed
Dennis, Lawrence J.; Whitehouse, Peter G. – Educational Theory, 1977
The author examines social forces and intrinsic organization structures as factors affecting emotional response to musical compositions and discusses the relationship of these factors as they affect the development of an appreciation for music. (MJB)
Descriptors: Educational Philosophy, Emotional Response, Music Appreciation, Music Education
Gaines, Leonard – Black World, 1973
A majority of the blues deal with situations and/or problems about which the black man feels a sense of helplessness and/or confusion: those situations in which he questions his ability to arrive at a resolution to the problem involved. (Author/RJ)
Descriptors: Black Attitudes, Folk Culture, Music Appreciation, Musical Composition
Peer reviewed Peer reviewed
Music Educators Journal, 1972
Article consists of a compilation of explanations of musical compositions (two records are included with the article) of many different cultures, which have been reviewed throughout the journal. (RK)
Descriptors: Cultural Influences, Dance, Ethnic Studies, Music Appreciation
Peer reviewed Peer reviewed
Johnson, Robert D. – Music Educators Journal, 1972
Presents an analysis of barbershop singing as a method of stimulating students to learn about music and to enjoy singing. It suggests a list of songs prepared by the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America. (Author/RK)
Descriptors: Music Appreciation, Music Teachers, Music Techniques, Musical Composition
Konowitz, Burt – Instructor, 1972
Believes that improvisational ability can be performed vocally as easily as instrumentally and suggests methods for initiating improvisation, for transfering creative insights to pitched activities and how to organize chordal accompaniments for melodic improvisation. (RB)
Descriptors: Choral Music, Creative Thinking, Expressionism, Music Activities
Zabawa, Peggy – Instructor, 1972
How to use current records to encourage children to listen to and become involved with music. Methods for using instruments and voice to create new rhythms and styles. (RB)
Descriptors: Choral Music, Creative Thinking, Expressionism, Music Activities
Peer reviewed Peer reviewed
Dubner, Edith Schell – Elementary School Journal, 1970
Descriptors: Elementary School Students, Grade 4, Music Appreciation, Music Education
Peer reviewed Peer reviewed
McKeachie, W. J. – American Psychologist, 1981
Reviews themes of a 1979 conference held at the University of Michigan. Papers presented dealt with mental structures involved in the comprehension and production of music, and covered individual differences, development in children, and cultural variations. (Author/GC)
Descriptors: Children, Cognitive Processes, Conferences, Cultural Differences
Peer reviewed Peer reviewed
Edwards, Larry W. – Music Educators Journal, 1974
Discussed a curriculum guide through which school children can develop their sensitivity and independence. (Editor/RK)
Descriptors: Educational Objectives, Elementary School Students, Music Appreciation, Music Education
Peer reviewed Peer reviewed
Poague, Leland A. – Journal of Aesthetic Education, 1979
Using Bob Dylan's three somewhat different versions of "It Ain't Me, Babe," the author investigates the variables of Dylan's performances and how they alter the meanings of his songs, and suggests that the more we know about popular song the more we will understand the songs we subsequently encounter. (KC)
Descriptors: Aesthetic Education, Language Patterns, Literary Criticism, Literary Perspective
Peer reviewed Peer reviewed
Reimer, Bennett – Music Educators Journal, 1997
Contends that only students with performance or composing abilities are given a chance to explore music in their education. Stresses the importance of teaching all students how to listen to music in an active, "minds-on" way instead of only teaching hands-on activities. Challenges the traditional music curriculum by refuting five myths…
Descriptors: Creative Thinking, Elementary Secondary Education, Improvisation, Learning Processes
Peer reviewed Peer reviewed
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Dogani, Konstantina – Music Education Research, 2004
This article is taken from doctoral research which sought to discover the nature of teachers' pedagogy in the primary school classroom by looking at their understanding of the teaching of composing, their approach to lesson design and organisation, and the way these are reflected in their practice. Specific examples of six case studies involving…
Descriptors: Teaching Methods, Elementary Education, Foreign Countries, Music Education
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