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Saetre, Jon Helge – Music Education Research, 2011
The field of creative music education is described as complex, unpredictable and versatile. The aim of this article is to explore this complexity and diversity on the basis of the continental "didaktik" tradition and Robin Alexander's generic model of teaching. The educational practice and orientation of the teacher are investigated in relation to…
Descriptors: Music Education, Musical Composition, Elementary Schools, Teaching Methods
Randall, Mac – Teaching Music, 2009
Repertoire selection is a balancing act on many levels, but the essential balance is that between education and emotion. If a given piece doesn't provide some element that can be used for the purpose of instruction, it's probably not worth considering. And yet it's also necessary to consider the emotional impact of a piece to judge it fully. This…
Descriptors: Popular Culture, Music Education, Musical Composition, Emotional Response
Upitis, Rena; Abrami, Philip C.; Brook, Julia; Troop, Meagan; Varela, Wynnpaul – Journal of Instructional Pedagogies, 2012
The body of research examining deliberate practice and self-regulation in musical instruction has grown extensively over the past decade. Compelling evidence indicates that students with higher levels of self-regulation develop superior performance skills and experience more fulfillment as musicians. But in order to develop the self-regulatory…
Descriptors: Teaching Methods, Musical Instruments, Music Education, Technology Uses in Education
Strouse, Lewis H. – Teaching Music, 2009
Before rehearsals begin, conductors need to thoroughly study the score. What elements go into a comprehensive score preparation? To learn music scores efficiently, having a detailed and systematic study method helps. The author has developed a score preparation guide that works for directors of bands, choruses, and orchestras, even when there's…
Descriptors: Music Education, Music, National Standards, Musicians
Haston, Warren – Contributions to Music Education, 2010
The purpose of this study was to assess the effectiveness of teaching beginning wind instrumentalists using a sound-before-sight (aural) approach, designed to foster the connections between eyes, ears, and fingers; and capitalize on students' musical intuitions. Participants received one hour of weekly instruction for 15 weeks. One group (n = 10)…
Descriptors: Music Education, Musical Instruments, Novices, Teaching Methods
Gattegno, Eliot Aron – ProQuest LLC, 2010
In today's world of too much information, context--not content--is king. This proposal is for the development of an unparalleled sonic analysis tool that converts audio files into musical score notation and a Web site (API) to collect manage and preserve information about the musical sounds analyzed, as well as music scores, videos, and articles…
Descriptors: Video Technology, Music, Search Engines, Musical Instruments
Munday, Jenni; Smith, Wyverne – Australian Journal of Music Education, 2010
Pre-service teacher degree programs are increasingly crowded with subjects covering the wide gamut of knowledge a teacher requires. Ensuring musical knowledge and language for classroom teaching poses a difficult problem for teacher educators. This article examines the challenges of including in the pre-service classroom teaching program a music…
Descriptors: Music Education, Preservice Teacher Education, Music Theory, Creative Activities
Ilari, Beatriz; Sundara, Megha – Journal of Research in Music Education, 2009
This study investigated infant listening preferences for two versions of an unfamiliar Chinese children's song: unaccompanied (i.e., voice only) and accompanied (i.e., voice and instrumental accompaniment). Three groups of 5-, 8- and 11-month-old infants were tested using the Headturn Preference Procedure. A general linear model analysis of…
Descriptors: Infants, Music Education, Early Childhood Education, Musical Composition
Onyeji, Christian – International Journal of Music Education, 2008
The search for Nigerian-based content and methodology for music education has been one of the primary concerns of music educators in contemporary Nigeria. Debates and criticisms surrounding the existing curriculum are ongoing. A natural response to these criticisms is the suggestion of alternative solutions that aim to develop a Nigerian-based…
Descriptors: Music Education, Music, Foreign Countries, Music Teachers
Swingler, Tim; Brockhouse, John – Australian Journal of Music Education, 2009
This paper focuses on the category of electronic musical instruments described as "gestural controllers"--motion sensor technology and specially adapted switches--which are widely used in special education. The therapeutic benefits of this technology in emancipating children from their cognitive or physical limitations are increasingly…
Descriptors: Musical Instruments, Special Needs Students, Academic Accommodations (Disabilities), Assistive Technology
Spencer, Piers – British Journal of Music Education, 2008
Piers Spencer and William Salaman edited the" BJME" between 1998 and 2002. During this period, a number of articles they published gave positive accounts of developments in instrumental teaching and learning, composing and creative music-making, and the increasing role of technology. Less happy findings emerged from investigations into…
Descriptors: Music Education, Musical Instruments, Music Activities, Musical Composition
Lubenow, Martin; Meyn, Jan-Peter – European Journal of Physics, 2007
The simultaneous sound of several voices or instruments requires proper tuning to achieve consonance for certain intervals and chords. Most instruments allow enough frequency variation to enable pure tuning while being played. Keyboard instruments such as organ and piano have given frequencies for individual notes and the tuning must be based on a…
Descriptors: Intervals, Music, Musicians, Personality
Van Outryve, Karen – Music Educators Journal, 2006
In this article, the author presents John Philip Sousa's all time hit, "The Stars and Stripes Forever". It is one of the most recognizable pieces of American music. Wherever John Philip Sousa and his band appeared, this march was likely to be played. According to American poet and educator Eli Siegel (1902-78), who first articulated the…
Descriptors: Music Education, Musical Instruments, Aesthetics, Musical Composition

Shearer, Aaron – Music Educators Journal, 1971
Descriptors: Musical Composition, Musical Instruments, Youth
Ahlstrom, David – Music Educ J, 1969
The author briefly describes the making and changing of the music art form. (JG)
Descriptors: Music, Music Techniques, Musical Composition, Musical Instruments