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Pratt, Scott L. – Journal of Aesthetic Education, 2009
There is a long history of debate over what opera is. Since it's more or less formal beginning in the sixteenth century as a reconstruction of ancient drama, opera as an art form has been controversial. The received understanding--emphasized by the genre's founders and in periodic efforts at reforming the standards of composition and…
Descriptors: Drama, Opera, Music, Geometric Concepts
Costas, Carlos Jose – Cuadernos Hispanoamericanos, 1974
Descriptors: Fine Arts, Music, Music Appreciation, Musical Composition
Howard, Vernon A. – 1972
This is the sixth in a series of technical research reports by the Harvard Project Zero which study artistic creation and comprehension as a means toward better art education. (See related documents SO 008 705 to 008 709.) This paper examines the ways in which music can refer in various ways to itself or to extramusical things. It outlines the…
Descriptors: Art Appreciation, Art Education, Art Expression, Auditory Perception

Madsen, Clifford K. – Journal of Research in Music Education, 1997
Presents the results of a study where musicians listened to 20 minutes of Puccini's, "La Boheme," and indicated which of the five musical elements (melody, rhythm, timbre, dynamics, or everything) commanded their attention. Two groups responded using differing instructions for the Continuous Response Digital Interface. Analyzes the different…
Descriptors: Aesthetic Education, Aesthetic Values, Attention, Attention Span

Smith, F. Joseph – Philosophy of Music Education Review, 1995
Presents 44 entries from a modern composer and music professors' journal, culled from 1993 to the present. Includes comments and criticisms of composers and musicians, as well as philosophical and practical observations. (MJP)
Descriptors: Aesthetic Values, Auditory Perception, Choral Music, Cognitive Processes