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Maher, Timothy F. – Journal of Cross-Cultural Psychology, 1976
Significant differences between Indians and Canadians in verbal responses to musical intervals support the hypothesis that these cultural groups differ in their reactions to these elementary musical materials. (Author/AM)
Descriptors: College Students, Comparative Analysis, Cross Cultural Studies, Cultural Differences
Suchoff, Benjamin – 1975
Bela Bartok's study of Turkish folk music classification was analyzed using permuted indices by means of GRIPHOS computer programs. A data base was constructed which would allow retrieval of information in terms of theme locater and first text-line indices. Data bases of tabulations much like the kind Bartok manually assembled were created to test…
Descriptors: Classification, Computer Programs, Databases, Folk Culture
Levy, Edward – Music Educ J, 1969
Descriptors: Educational Objectives, Music Appreciation, Music Education, Music Techniques
Gibson, Susan McCloud – 1987
The cause of music consonance perception is not known, but consonance has been defined by both physical and perceptual characteristics. This study tested the extent of differences in interval perceptions and preferences in a non-musically trained group of adults. The independent variables of frequency range, condition of presentation, and harmonic…
Descriptors: Aesthetic Values, Auditory Discrimination, Auditory Perception, Music
Marsalis, Wynton – 1995
This beautifully photographed book accompanies the Wynton Marsalis Public Broadcasting Service (PBS) series on the introduction to the joy of music, both classical and jazz, for families, young people, and music-hungry readers of all ages. Divided into four chapters, the book corresponds to the four one-hour programs in the PBS series. Wynton…
Descriptors: Elementary Education, Instrumentation and Orchestration, Music, Music Appreciation

Knieter, Gerald L. – NASSP Bulletin, 1979
Instead of the traditional emphasis on performance by a few, music programs should also include composition and appreciation and embody experiences in aesthetic education for the entire student body. These experiences could include musicianship and music history, literature, structure, organization, and performance. (JM)
Descriptors: Aesthetic Education, History, Music Appreciation, Music Education
Hammer, Petra – 1991
This study guide was designed to help high school students learn the basic skills in classical guitar playing, technique, fingerboard knowledge, and musicianship. The introduction describes how to read the music notation that is presented in traditional music form and also in tablature diagrams showing finger positioning in the guitar neck.…
Descriptors: Fine Arts, High School Students, High Schools, Music Activities

Rieger, Jon H. – Music Educators Journal, 1973
Discusses the lack of awareness students have in considering classical music and presents methods for kindling their interests in a music form relatively unknown to them. (RK)
Descriptors: Educational Strategies, Music Activities, Music Appreciation, Music Education
Jorgensen, Estelle R. – 1997
This book addresses the nature of music education and argues for a broad-based view which is globally inclusive and acknowledges a long, distinguished history. The book asserts that music education has often been too narrowly focused on music instruction in elementary and secondary schools. Through a process of intellectual questioning, the reader…
Descriptors: Aesthetic Education, Elementary Secondary Education, Fine Arts, Music
Hash, Phillip M. – Research and Issues in Music Education, 2005
The purpose of this study was to provide a description and analysis of repertoire performed at middle school band contests in northern Illinois. Repertoire from 10 Illinois Grade School Music Association--Northern Division district level contests were analyzed in relation to the frequency pieces were performed, dates of publication, publishers…
Descriptors: Middle Schools, Music, Music Activities, Musicians
Education Commission of the States, Denver, CO. National Assessment of Educational Progress. – 1980
The document describes the development of objectives and presents objectives formulated by music educators, lay individuals, and the National Assessment of Educational Progress (NAEP) staff in 1973. Objectives from the first music assessment were reappraised, reviewed, and revised to include greater breadth of application, greater emphasis on the…
Descriptors: Academic Achievement, Applied Music, Educational Assessment, Educational Objectives
Bamberger, Jeanne – 1974
Research in the development of musical perception is described. It is crucial to students' experience that they learn to bring to the surface those "invisible" ideas inherent in music development such as clapping a rhythm or singing a tune. In this way they learn to bridge the gap between intuitive knowledge and the representation of this…
Descriptors: Audiences, Auditory Perception, Behavioral Science Research, Creative Expression
Keyes, Nelson – 1969
This study tested the following hypothesis: that the study of original music composition confers benefits on the college music student which he would not ordinarily receive from the undergraduate music program, and that such study would therefore be a valuable addition to a music curriculum. Seven participants at a 3-week workshop in composition…
Descriptors: Creative Development, Music, Music Activities, Music Appreciation
Fink, Michael – 1972
One hundred and forty citations comprise this annotated bibliography of books, articles, and selected dissertations that encompass trends in music theory and k-16 music education since the late 19th century. Special emphasis is upon writings since the 1950's. During earlier development, music analysts concentrated upon the elements of music (i.e.,…
Descriptors: Annotated Bibliographies, Applied Music, Elementary Education, Higher Education
Sonnenschein, David – 1995
This manual was designed to accompany a computer software resource (Macintosh diskette and three CD-Rom discs) aimed at helping students with no previous musical knowledge, develop specific comprehension skills in classical music. The materials are based on the premise that conventional musical forms are abstract prototypes of whole classes of…
Descriptors: Classical Music, Computer Assisted Instruction, Elementary Secondary Education, Independent Study