Describes the technique of scordatura, and the different unusual notional principles, as a means to exploring the Baroque repertoire. Explains that scordatura pieces indicate, using either the term discordable or discordatura, that the established tuning must be altered by mistuning the instrument. Concentrates on Domenico Gabrielli's "Seven…

Provides three strategies to help chorus teachers assist boys to develop their singing abilities by: (1) choosing the appropriate repertoire for the boys' abilities; (2) routinely separating the boys and girls during rehearsals; and (3) having boys do exercises that expand the upper parts of their singing ranges. (CMK)

Contends that speech ensembles can be useful in the music classroom, particularly at the middle school level, to help develop students' creative thinking, powers of expression, and skills in notation and counting. Offers five steps to guide students in creating speech ensembles that address the National Standards for Music Education. (CMK)

Analyzes 15 performances of "Bach's Suite Number 3 for Violoncello solo, Bourree Number 1" and determines what patterns of rhythmic variation (rubato) were used by soloists. Indicates that the soloists demonstrated four identifiable and similar trends in the performances. (CMK)

Identifies and describes children's in-action mental model of their own learning, which was inferred from the observation of children's behaviors when learning a song. Explains that the mental model is made up of musical organizations and learning strategies, each on two levels, large-scale and detailed. (CMK)

This teacher's guide is designed to accompany two 15-minute color television programs dealing with the creative process involved in conceiving a composition. The programs are appropriate for junior high school string students and instrumental students in string methods courses at teacher training institutions. In the program, the composer explains…

This book addresses the nature of music education and argues for a broad-based view which is globally inclusive and acknowledges a long, distinguished history. The book asserts that music education has often been too narrowly focused on music instruction in elementary and secondary schools. Through a process of intellectual questioning, the reader…

Total conducting ability involves technique, mechanics, insight into elements of expression, and musical sensitivity. Presented are eight basic principles which combine musicianship and conducting. (KC)

Addresses how the National Standards can be incorporated into band rehearsals using the music piece, "Balladair" (Frank Erickson), as an example when teaching techniques and musical concepts. Provides ideas such as using material from "Balladair" to create warm-ups or relating the piece to other arts. (CMK)

Discusses the condition in which people are confused about the nature and use of intellect in the arts. Focuses on associated dilemmas, the root cause, and how to address them. Explore topics such as musical/artistic mindedness and the benefits of a comprehensive music education. Includes suggestions. (CMK)

Focuses on the use of recorder ensembles in general music classes, discussing topics such as strategies for procuring soprano, alto, and bass recorders and ensemble activities for grades 3-8. Provides a bibliography of resources for recorder playing and information on transposition and arranging music. (CMK)

Recommends using "activation exercises," or warm-ups, to awaken students' voices, minds, and breathing mechanisms when singing choral music. Describes three activation exercises: (1) plainchant melodies; (2) the five-note scale; and (3) tongue twisters sung to melodies or scale patterns. Explains why the first and third exercises work.…

Explains that there are five components for achieving the ideal band tone (balance, blend, acoustics, sonority, and chord voicing). Presents information on each component. Provides seven suggestions helpful in developing band tone, such as explain and establish goals for the band's tone, practice for tone, and choose music to optimize tone. (CMK)

Provides a strategy, from the book "Strategies for Teaching Specialized Ensembles," that addresses Standard 9A of the National Standards for Music Education. Explains that students will identify and describe the musical and historical characteristics of the classical era in music they perform and in audio examples. (CMK)

Discusses how the outgrowth of the praxial philosophy in music education is misunderstood and has led to a lack of informed dialogue on the differences between praxis and philosophical bases for music education. Presents an interpretation of Aristotle's idea of praxis and considers praxis in terms of implications for music education. (CMK)