Describes ways to get children to be the music they love, and to recognize, sing and play, on available instruments, the tones of the scale.

A continuing pedagogical problem with preadolescent string students is the introduction and development of finger-pattern concepts. The procedures outlined in this article not only introduce and reinforce a needed kinesthetic skill but also allow the child to be creative while making music in an American idiom--the blues. (Author/SJL)

Conducted during the Institute for Steelband Playing held in 1988, this study's aim was to understand how Trinidadian people view, experience, explain, and order specific elements of their musical world, with the goal of providing an information base for establishing steelband programs in Canadian schools. The study focused on (1) How did the…

The investigation concerned the construction of a test of musical creativity that would assess the hypothesized divergent production abilities of music fluency, flexibility, originality, elaboration, and quality in school instrumental music students. The developed test, measures of musical divergent production (MMDP), was based on models of…

Investigated the effect of using tape-recorded aural models for home practice on selected sight-reading and performance skills of sixth-grade clarinet students. The tape recordings had no observed effects on the selected music skills, nor did the students using them complete more music exercises, as had been hypothesized. (Author/SJL)

Analyzes 15 performances of "Bach's Suite Number 3 for Violoncello solo, Bourree Number 1" and determines what patterns of rhythmic variation (rubato) were used by soloists. Indicates that the soloists demonstrated four identifiable and similar trends in the performances. (CMK)

Focuses on the use of recorder ensembles in general music classes, discussing topics such as strategies for procuring soprano, alto, and bass recorders and ensemble activities for grades 3-8. Provides a bibliography of resources for recorder playing and information on transposition and arranging music. (CMK)

The inclusion of Latin American music in the secondary school band program may play an important role in affecting student motivation, ethnic identity, intergroup attitudes, and student-teacher relationships. One of the underpinnings of Latin American music is the variety of techniques and exciting rhythms. In this book the rhythms are analyzed…

Investigates the performance-quality ratings among college-age instrumentalists grouped in three solo preparation conditions using no accompaniment, live accompaniment, or intelligent digital accompaniment. Finds that the highest quality ratings across all groups were achieved in rhythm, technique, and articulation; the second performance ratings…

Forty-nine music lessons for use in sixth grade classes are presented. A number of these lessons feature songs and musical instruments from or about Hawaii, and lessons stress learning about tempos, accents, meters, notes, and rhythm patterns. The lessons introduce the history of instruments such as the ukulele, recorder, rhythm instruments, and…

This fifth grade text provides music and rhythmic activities for the development of both musical skills and appreciation. The learning of music symbols, notes, chords, rhythm, harmony, and specific songs is stressed. While most of the songs were composed in the contiguous 48 United States, music from Hawaii and from other countries is included.…

Changes in the provision of musical instrument instruction provided by local authorities in Scotland since local government reorganization are charted in this research report. The report outlines some of the more important messages from recent research about the value of musical instruction, reviews the findings of some recent surveys of the…

Presents ideas on how to begin a chamber music ensemble. Discusses how to find time to accomplish chamber music playing in and around the school day. Presents short descriptions of chamber music that can be used with ensembles. Includes chamber music resources and additional chamber works. (CMK)

Recommends singing as an instructional strategy for string and other instrument classes. Maintains that singing familiarizes the student with the music and can serve as an illustrative example of musical techniques. Includes a list of tonal objectives found in repertory songs. Briefly reviews several instructional texts. (MJP)

The three approaches of Carl Orff, Zoltan Kodaly, and Shinichi Suzuki to early childhood education can be successfully fused to provide a foundation for a total music curriculum from the nursery to secondary school. Basically, Orff suggests that rhythmic patterns should be experienced in children's natural language as they improvise melodies and…