Music and arts education programs are the first to be cut when school budgets tighten. Successful ways to prevent severe cuts are outlined and music program essentials are described. The principal's role is the key. (MD)

Maintains that use of the Suzuki, Orff, and Dalcroze methods have assisted string teachers in helping music students achieve mastery from the beginning of instruction. Describes how these methods are used by five music teachers. Includes addresses of organizations that provide information about these music teaching methods. CFR)

Maintains that many music education associations sponsor chorus or band festivals at the middle and high school levels, but meeting the needs of prekindergarten and primary students is a more challenging task. Describes a one-day music festival for early elementary children. (CFR)

Asserts that a revolution has been occurring in musicology since the 1970s. Contends that music has change from being only a source of emotion to appearing more open to science and techniques based on computer technology. Describes recent research and other writings about the topic and provides an extensive bibliography. (CFR)

The change needed in urban music education not only relates to the idea that music should be at the center of the curriculum; rather, it is that culturally relevant music should be a creative force at the center of reform in urban education. Teaching Music in the Urban Classroom: A Guide to Survival, Success, and Reform is the start of a…

This K-12 music curriculum guide provides criteria for evaluating musical instructional programs and offers assistance to musical educators who wish to improve the content of their musical instructional programs. It is divided into three major parts, the first of which considers administrative implications and makes specific recommendations for…

To define the status of music education in the United States has been practically impossible. The utter lack of systematic courses of instruction, the widely varying standards of merit, and the absence of cooperation upon the part of those engaged in music teaching not only have made impossible any accurate computation of the results which have…

Reports on an interview with Terry E. Miller, a specialist on music of Thailand and other southeastern Asian nations. Discusses the culture, the role of music, and musical instruments of Thailand. Includes a list of resources and two lesson plans for teaching about Thai music. (CFR)

Contends that keyboard synthesizers can be used effectively in the music education classroom because they are instruments more than they are technological tools. Describes an elementary music program that uses synthesizers throughout the K-6 curriculum. Includes diagrams of classrooms arranged to use computerized keyboards incorporated with other…

Contends that there is a large and enthusiastic audience for introductory music courses at the college level. Describes a one-semester basic music course for non-music majors with three basic components: informing, listening, and performing. Concludes that this experience provides singular opportunity for many students to learn about music. (CFR)

Argues that music educators must begin to use computers in classroom management and instruction. Discusses the results of the Michigan Computer Music Survey that indicated that 50% of band and orchestra instructors were using computers in their work. Provides suggestions for purchasing and using computers in music education. (CFR)

This document is an English-language abstract (approximately 1,500 words) of a survey of music in Australian schools. The survey included all types of schools, and includes facilities and equipment for musical education, and the use made of them. The courses of study, organization of musical activities, finance, supervision, teacher training, and…

Interviews the Canadian Brass, a quintet of classically trained musicians who combine a disciplined performance with comedic presentation. The musicians discuss their education, family influence, early careers, and the contribution they make to music education efforts in general. (MJP)

Compares the quality of music education in a sample of primary and secondary schools in England during the academic year of 1993-94. Finds that lessons given in primary schools matched the needs of learners and were adjusted by teachers according to student responses. Concludes that primary schools' quality of teaching was higher. (CMK)

Three hundred sixty-nine dissertations are listed in this international directory. They are divided into categories (e.g., biographical studies, choral-vocal music, historical studies, string music, etc.), and three indexes are provided: students' names; institutions represented; and subject category. (JB)