Piano literature (or keyboard repertory studies) is commonly included in piano performance and some piano pedagogy degrees in the United States. This single or sequential course is required by the National Association of Schools of Music (NASM) at both undergraduate and graduate levels. While most universities include such courses in their degree…

A skilled music education workforce is essential to ensure longevity of music-making for future generations of young learners and access to high-quality instrumental music tuition remains crucial for school-aged pupils. Yet, Higher Education providers, including conservatoires, are not held accountable for providing high-quality pedagogical…

The majority of the pieces that make up the structures of the piano are wooden products. Large piano brands provide resources for the materials. They use various forest products or they create their own forests. Respecting life, biodiversity together with protecting nature and our world are important elements for sustainable environmental…

This study aims to reveal the factors associated with sight-singing skills. A correlational research model was used in this research. The sample of the research consists of 41 music teacher candidates. The second- and third-grade students were given 30 seconds before tonal and rhythm sight-singing tests and then asked to do the first performances.…

The purpose of this study was to examine instrumental music lessons taught for schoolchildren over the radio by Joseph Maddy in the 1930s and early 1950s. Research questions addressed (a) conditions, circumstances, and details surrounding the lessons and (b) pedagogical principles, strategies, methods, and didactic materials utilized in these…

This dissertation aimed to better understand how violin and viola private instructors teach Mental Practice in their studios, investigating different approaches on how to apply and teach auditory, motor, and visual imagery, score study, and auditory modeling, as well as its benefits. This research was divided into two different stages. In the…

This research, carried out between 2020 and 2021, involves an online questionnaire and individual interviews with undergraduate music students at universities and conservatoires in the UK, to examine student experiences of receiving and delivering instrumental and singing tuition. There is no regulation of instrumental teaching in the UK, and…

The purpose of this study was to gain a better understanding of music educators' perceptions of ways in which marching band and college music education curricula connect. By examining the music educators' perceptions, the study hoped to influence existing collegiate music education programs by providing possible avenues of interdisciplinary…

This study was designed to explore nonstring specialists' comfort teaching students in string ensembles. Comfort was defined as an individual's ease when teaching the subject matter. Data were gathered, using a 7-point Likert-type scale related to 15 string topics administered through a researcher-developed study. Participants ("N" =…

The purpose of this research was to learn about the short-term residue of composing and improvising activities experienced in a woodwind lab course. Five undergraduates enrolled in a Music Learning and Teaching program in the United States shared what they retained after completion of the course and how they were thinking about composition and…

In this qualitative study, we share the musical experiences of seven Ghanaian university music students who primarily play a brass instrument in a university band. The purpose of this study is to illuminate these students' musical experiences during their pre-tertiary years to better understand what those experiences were and how they impacted…

The purpose of this study was to compare preservice music teachers' self-reflections about their teaching from two perspectives: immediate reflection and video reflection. Preservice music teachers' reflections were analyzed, and 22 codes emerged. Our analysis of the preservice music teachers' reflections found that the 22 codes aligned with self,…

To better understand existing ensemble requirements for music education majors at U.S. institutions, we conducted a content analysis of ensemble requirements for 1,021 degree programs at 465 colleges and universities accredited by the National Association of Schools of Music (NASM). The mean number of ensemble credits required for each degree…

This study aims to analyze the distance guitar education provided by universities during the pandemic process based on the opinions of guitar educators. Twenty-six guitar instructors (academicians) who taught guitar in 24 universities participated in the study, and the data were collected through semi-structured interviews. Findings were…

Non-major music students are an integral part of university music departments, as they both bolster the department's enrollment numbers and bring diverse perspectives to the ensembles, lessons, and classes in which they participate. Although most non-majors focus their time on ensembles, a few choose to include lessons as part of their experience.…