Frances Elliot Clark (1860-1958) lived through a transitional time for music education and the music industry in the United States, and she influenced American culture by bringing these two communities together. She brought her background in school and community music education along with strong ties within music education communities to the…

Common approaches to teaching music listening emphasise 'attentive listening' and 'active listening' (Campbell, Patricia Shehan. 2005. "Deep Listening to the Musical World." Music Educators Journal 92 (1): 30-36. doi:10.2307/3400224) and minimise explorations of everyday music listening practices (Madsen, Clifford, and John Geringer.…

The purpose of this study was to explore the lived experiences of black women band directors at the secondary and collegiate levels. The goal was to understand their experiences that shaped them as educators and contributors to the profession. A secondary goal was to explore the personal and structural factors that served as support systems and…

Providing effective feedback to students is a significant issue for Australian educators. The ability to provide effective feedback comprises one of the Australian Professional Standards for Teachers and is seen as being a key element of quality teaching. Much research has been conducted into what constitutes effective feedback. Yet in spite of…

As the demographics of our nation continue to evolve, music educators have a responsibility to embrace the opportunities they have to increase their students' levels of awareness and acceptance of others who may represent different ethnic groups. The following research-to-resource article will provide background information and recommendations for…

This article describes a project in which contemporary music is studied and created in primary-school classrooms in the presence of a composer. Listening to and analyzing a composer's works fosters musical creation processes in students, who subsequently present and discuss their works in a meeting with the composer. Finally, the students' works…

The purpose of this basic qualitative study was to explore the role of enjoyment during group musical activities in the preschool classroom. Data collection included observations using a researcher-created tool and fieldnotes to determine how preschool students demonstrated enjoyment during group activities. Interviews with three preschool…

Research conducted on the development of expressive performance capabilities suggests that children can learn to demonstrate expressiveness in their music-making. Expressivity includes musical interpretation, performance technique, and musical and personal creativity. This article examines creativity as an important component of musical…

Music has been in its formal existence for so many years now and it has also been utilized to enhance, relax and help man's meditation. This study focused on how music can or may influence an individual. The researchers investigated and described the influence of Howard Gardner's theory on Multiple Intelligence (specifically, musical…

This study focused on the development and psychometric evaluation of the 16-item Critical Musicality Scale (CMS). The participants in the study comprised (N = 118) secondary students (mostly 13 to 14 years old) from Singapore. Four factors of critical musicality were hypothesised and empirically tested. The full sample was used to conduct an…

To better serve students' evolving needs in music, music educators must connect classroom learning with how students use and interact with music in their daily lives. One way to accomplish this is by approaching classrooms with the music user in mind, which can open new possibilities for meaningful music making and remove students from the…

Reviews of literature on music preference may provide music educators with a variety of research on information, techniques, and methods to implement in the music classroom. Calls to widen the types of music used in curricula seem to underscore the importance of research exploring preference using music other than, and in addition to, Western art…

The purpose of this phenomenological study was to describe children's lived experience of enjoyment during musical play. Data sources included class video from 15 weeks of a 24-week extracurricular music class for 4- to 7-year-olds taught by the researcher, parent-filmed video of child participant music-making in home settings during the same…

The overlapping of pragmatic philosophy and the Aristotelian concept of praxis is explored with application to music and music education. John Dewey's philosophy of "Art as Experience" is contrasted with tacit aesthetic assumptions about music that music teachers often hold as a result of the aesthetic meme inherited from their…

This study extends Zimmerman's research on children's music conservation to adult listeners, investigating participants' ability to conserve melody under different harmonic conditions. Specifically, I investigated whether listeners in the study could identify melody when primary, diatonic, and secondary chords were added (Task 1) and when melody…