In consideration of white music educators' perceptions of and engagement with matters of race and music, the purpose of this qualitative study was to problematise the acceptance and valuation of "Hamilton", and possible hypervaluation of Whiteness through the perceptions and experiences of eight White music educators who were fans of the…

I argue that an analysis of antiblack racism in music education discourse is crucial in identifying and addressing potential for harm in the music classroom. I contend that Black children are particularly, and regularly, subjected to poor stereotypical depictions of their identity in digital media. Furthermore, I contend that this digital…

Popular music has existed in American education since the 1700s. However, biases related to race and class, and concern for student morality have often led educators to eliminate or suppress these musics in the classroom. Progressive teachers and students themselves sometimes advocated for popular styles, which eventually made their way into the…