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Tawnya D. Smith – Music Education Research, 2024
Traditional music education has prioritised external over internal performance aims, leading some learners to prioritise external motivations. I facilitated a workshop series for participants who experienced music performance anxiety when improvising, to examine if free improvisation coupled with expressive art response could cultivate…
Descriptors: Music Education, Group Activities, Creative Activities, Learning Motivation
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Daly, Diane K. – International Journal of Music Education, 2022
This paper investigates the impact of Dalcroze Eurhythmics on fostering creativity and autonomy in classical instrumental pedagogy. The research took the form of an arts practice investigation which included devising, rehearsing, performing and documenting two performance events, drawing on Dalcroze Eurhythmics techniques rather than conventional…
Descriptors: Performance, Music Education, Personal Autonomy, Musical Instruments
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Wiley, Christopher – Action, Criticism, and Theory for Music Education, 2019
Constructed broadly according to the principles of musical fugue, this piece of creative writing is presented as a performance autoethnography, enacted through a multi-voiced ethnodrama between a fictionalized version of the author and two imaginary doctoral students. In successive episodes, it discusses the difference between autoethnography and…
Descriptors: Autobiographies, Ethnography, Creative Activities, Art
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Toyoshima, Kumiko; Fukui, Hajime; Kuda, Kiyoto – International Journal of Music Education, 2011
Few studies have been conducted on the physiological effects of creative art activities. In this study, the effects of creative art activities on human stress were investigated, and their effects were compared in 57 healthy college students (27 males and 30 females). Subjects were divided into four groups, each of which participated in 30-minute…
Descriptors: Control Groups, Music Education, Creative Activities, Handwriting
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Hopton, Jim – School Arts, 1990
Describes how students incorporated the use of faux finishes in the construction of scenery for a school production of "Cinderella." After researching medieval castles and different types of stone surfaces, students used a sponge printing technique for exterior walls and a marbling technique for columns in the ballroom scene. (GG)
Descriptors: Aesthetic Education, Art, Art Education, Art Materials