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Kallio, Alexis Anja – International Journal of Music Education, 2017
Despite many music classrooms welcoming popular musics in striving towards an inclusive and democratic education, there has been relatively little research into teachers' decisions regarding which popular musics are included and which are excluded from classroom activities. This is of particular interest taking into account arguments that the…
Descriptors: Music Education, Popular Culture, Rock Music, Inclusion
Virkkula, Esa – British Journal of Music Education, 2016
This article examines the sociocultural learning of popular and jazz music in communities of practice as part of secondary vocational music education in a Finnish conservatory. The research is based on performance workshops which were implemented as a joint effort between professional musicians and music students. These workshops are suggested as…
Descriptors: Music Education, Communities of Practice, Music, Popular Culture
Kallio, Alexis Anja – International Journal of Music Education, 2015
The apparent ideological tensions between popular musics and formal school contexts raise significant issues regarding teachers' popular repertoire selection processes. Such decision-making may be seen to take place within a school censorship frame, through which certain musics and their accompanying values are promoted, whilst others are…
Descriptors: Music Education, Popular Culture, Censorship, Semi Structured Interviews
Randles, Clint; Muhonen, Sari – British Journal of Music Education, 2015
The purpose of this study was to validate a measure of creative identity with a population of pre-service teachers in the USA, to further validate the measure with a Finnish population, and to compare both populations regarding their perceptions of themselves as creative musicians. The researcher developed a tool, the "Creative Identity…
Descriptors: Music Teachers, Music Education, Program Validation, Creative Activities
Vakeva, Lauri – International Journal of Music Education, 2006
This article describes the history and current situation of popular music pedagogy in Finland. While popular music is widely accepted in the curriculum, there are differences in its application in the comprehensive schools and music institutions. Popular styles were first introduced into Finnish music education by secondary school music teachers;…
Descriptors: Music Education, Music, Foreign Countries, Music Teachers
Vakeva, Lauri; Westerlund, Heidi – Action, Criticism, and Theory for Music Education, 2007
The winning of an artist representing the lowest level of Finnish musical taste during the 2006 Eurovision song contest marks not only the rebellious attitude towards the over-sanitized contest, but it was the result of a new practice--voting by text message. Recently, music-biased schools that were once selective of the music they teach are now…
Descriptors: Music Education, Democracy, Democratic Values, Foreign Countries