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Quan Zhang; Khomkrich Karin – International Journal of Education and Literacy Studies, 2024
Suzhou Pingtan is a traditional Chinese opera originating from Suzhou, Jiangsu Province, known for its melodic tunes, storytelling, and expressive performances. The objective of this study was to explore the transmission process of Suzhou Pingtan Chinese Opera in Jiangsu, China, and its impact on education and literacy. This study utilizes a…
Descriptors: Foreign Countries, Opera, Literacy, Cultural Background
Dullea, Rhoda – Journal of Research in Music Education, 2017
In recent years, opera companies throughout the United Kingdom have begun to provide educational programs for children that offer opportunities for "apprenticeship" training in the context of professional opera productions, alongside formal choral musicianship training. This article outlines a qualitative case study of a recently…
Descriptors: Qualitative Research, Foreign Countries, Opera, Singing
Pratt, Scott L. – Journal of Aesthetic Education, 2009
There is a long history of debate over what opera is. Since it's more or less formal beginning in the sixteenth century as a reconstruction of ancient drama, opera as an art form has been controversial. The received understanding--emphasized by the genre's founders and in periodic efforts at reforming the standards of composition and…
Descriptors: Drama, Opera, Music, Geometric Concepts
Wojtowicz, Jeanette O. – Instructor, 1981
Presents over 30 activities designed to introduce elementary school children to opera. Also provides a synopsis of and student activities for three specific operas ("Hansel and Gretel,""The Mikado,""Aida") and a short article about opera star Luciano Pavarotti. (SJL)
Descriptors: Elementary Education, Learning Activities, Music Appreciation, Opera

Hanson, Howard – Music Educators Journal, 1971
The difficulties surrounding any attempt to make a profit out of great music are discussed. (CK)
Descriptors: Attitude Change, Cultural Enrichment, Democracy, Music Appreciation
Costas, Carlos Jose – Cuadernos Hispanoamericanos, 1974
Descriptors: Fine Arts, Music, Music Appreciation, Musical Composition

Hoffmann, Burton – Music Educators Journal, 1973
Article discussed the advantages of teaching students to understand and appreciate opera. (RK)
Descriptors: Children, Concept Formation, Evaluation, Guidelines

Matanzo, Jane Brady; Richardson, Judy S. – Journal of Adolescent & Adult Literacy, 1998
Describes the picture book rendition of the operatic story "Aida" (based on the opera composed by G. Verdi) as retold by opera diva Leontyne Price. Describes how this picture book is appropriate for introducing adolescent readers to opera. Describes specific activities for music classes, musical resources, specific art activities, and…
Descriptors: Art Activities, Class Activities, Language Arts, Music Activities

Fan, Paula; Conley, Eugene T. – Music Educators Journal, 1976
This article took us to the elementary school level for a description of a highly successful program that developed opera lovers among the children in the Tucson, Arizona schools. (Editor/RK)
Descriptors: College Students, Elementary School Students, Music Appreciation, Music Education

Berman, Kristin B. – Gifted Child Today, 2003
This article discusses how the exploration of opera with high-ability students can contribute to positive social and emotional development, particularly the development of humane intelligence, by stimulating ethical and moral awareness, making connections with age-old truths of humanity, and providing a powerful genre for self-expression. Teaching…
Descriptors: Elementary Secondary Education, Emotional Development, Enrichment Activities, Ethics

Wignall, Harry James – Music Educators Journal, 1988
Urges the use of marionettes and puppet theater to introduce opera to elementary school students. Demonstrates methods for immersing students in opera throughout the school year by designing sets, creating marionettes, painting backdrops, and discussing story and music. (LS)
Descriptors: Instructional Improvement, Instructional Innovation, Learning Activities, Music Activities

Ames, Roger – Music Educators Journal, 1993
Describes a summer school program in which secondary students collaborated to build an opera company. Details the activities of seven days in the first stage of the three-stage project. Concludes that the experience built democratic values. (CFR)
Descriptors: Cultural Activities, Democratic Values, Extracurricular Activities, Interdisciplinary Approach

Drago, Marganne – Music Educators Journal, 1993
Describes a college level course in opera for nonmusic education students. Contends that students benefited from the enriching experience of the course. Includes a list of 10 operas recommended for an introductory course. (CFR)
Descriptors: Course Content, Course Descriptions, Cultural Activities, Curriculum Development

Pearl, Jesse; Carter, Raymond – 1972
This secondary level Quinmester course is designed to teach the principal types of vocal, instrumental, and operatic compositions of the Romantic period through listening to the styles of different composers and acquiring recognition of their works. The course is intended for students who have participated in fine or performing arts and for pupils…
Descriptors: Aesthetic Education, Course Content, Course Objectives, Curriculum Guides

McGirr, Paula Ifft – Childhood Education, 1995
Children can complement all areas of their language learning with music, and can enhance their musical activities with language. Opportunities to experience sounds, language, and rhythmic movement support the learning and development of the whole child. Activities dealing with children's books that have musical themes, song picture books, and…
Descriptors: Books, Childrens Literature, Classroom Techniques, Early Childhood Education
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