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Mielke, Susan; Andrews, Bernard W. – Research Studies in Music Education, 2023
The purpose of this qualitative study was to investigate the process of composing educational music. As part of a research project titled "Sound Connections: Composing Educational Music" Canadian composers completed email interviews, responding to semi-structured questions about the process of composing educational music. Using…
Descriptors: Music Education, Musical Composition, Musicians, Student Development
Wong, Sarah Shi Hui; Low, Amanda Chern Min; Kang, Sean H. K.; Lim, Stephen Wee Hun – Journal of Research in Music Education, 2020
The ability to recognize and distinguish among varying musical styles is essential to developing aural skills and musicianship. Yet, this task can be difficult for music learners, particularly nonexperts. To address this challenge and guide music education practice, this study drew on cognitive psychological principles to investigate the effect of…
Descriptors: Music Education, Musical Composition, Music Appreciation, Listening Skills

Starr, Lawrence – Music Educators Journal, 1977
Points out the inherent problem that may keep teaching of twentieth-century music analysis from being effective. Since the students' frame of reference for music listening is usually "traditional" music practices, they are often unprepared to hear and analyze twentieth-century music. Suggests how to develop appropriate listening skills.…
Descriptors: Listening Comprehension, Listening Skills, Music Appreciation, Music Education
Ferraro, Louis; Adams, Sam – Peabody J Educ, 1969
Descriptors: Listening Comprehension, Listening Skills, Music, Music Appreciation
Safane, Clifford – Teachers and Writers, 1978
Describes activities and exercises that develop children's music appreciation and general listening skills, preparing them for composing original lyrics and music. (RL)
Descriptors: Class Activities, Creative Expression, Creative Writing, Elementary Education

Sudano, Gary R. – Music Educators Journal, 1979
Novice listeners have difficulty perceiving form in music because they experience music episodically, not holistically; and because conditioned by popular music to respond emotionally, they see no reason for intellectual analysis. To achieve aesthetic literacy, students must be taught both analytic and aesthetic perception, utilizing both brain…
Descriptors: Abstract Reasoning, Cerebral Dominance, Elementary Secondary Education, Learning Problems

Duke, Charles R. – Journal of Reading, 1987
Encourages the use of integrated prereading, prewriting, and critical thinking activities in music classes to help students appreciate and understand the process of musical composition. Discusses using freewriting, journal writing, directed reading, and extended activities in music appreciation, performance, and composition classes. (SKC)
Descriptors: Critical Thinking, Free Writing, Integrated Curriculum, Listening Skills
New York State Education Dept., Albany. Bureau of Curriculum Development. – 1988
This syllabus/handbook is designed to aid teachers and administrators in developing a music course to meet the New York State Commission of Education's requirements for a one year high school Music In Our Lives (MIOL) class. This class encompasses the areas of listening, performing, composing, using basic tool skills, and developing special…
Descriptors: Applied Music, Curriculum Development, Listening Skills, Music Activities