Describes the musical history of Chicago, which culminated in the creation of the Chicago Symphony and the construction of Orchestra Hall. Theodore Thomas spent 30 years introducing Chicagoans to symphonic music. He founded the Chicago Symphony and, in 1904, led the first concert in Orchestra Hall. (CS)

Discusses ways to prepare children for their first concert. (GB)

Author developed a program of classical music and induced young musicians to perform successfully to an audience. (Author/RK)

Asserts that music programs in secondary schools should serve all students and not only members of the band or choir. Suggests workshops, concerts, music appreciation and piano courses. (DS)

Article explains the manner in which music can be made attractive to all people. (RK)

Describes an example of community music making in which middle school students, their parents, and a senior adult band all participated in a concert. Indicates the concert intended to celebrate the participants' musical accomplishments, gain support for music education, and demonstrate that music can provide joy for performers of all ages. (CMK)

Part of a section, "Concerts on Campus: Should Students Be Involved?

The article describes a program which introduced classical music to 18 students in a residential treatment program for adolescents with a history of substance abuse. Use as background music progressed to students requesting tape copies for personal use and group attendance at a symphony rehearsal and concert. (DB)

Outlines the innovative nature of the Sydney Symphony Orchestra's program of concerts designed especially for children ages five through eight that feature children as a participatory audience. The selection of repertoire and the types of support and resources provided for teachers are also discussed. (MDM)

Focuses on repertoire selection, addressing issues such as beginning the process, keeping lists and resources for future use, seeing concerts as sharing experiences, and problems to avoid. Discusses the importance of networking and offers suggestions for enabling music educators to grow as teachers. (CMK)

This paper presents research surveying the responses of university students enrolled in music classes for nonmusic majors with regard to several aspects of required concert attendance. Groups of subjects (n=258) enrolled in courses with required concert attendance were compared to those in courses without such a requirement. Results indicated that…

Music teacher lists some of the amusing names his students have given to different musical compositions and their composers while developing their music listening abilities. (RK)

Describes how a local symphony orchestra changed its educational program for children to improve attendance and heighten music appreciation. Discusses the rationale for the new approach and includes descriptions of themes. Concludes that music appreciation programs must identify and utilize various motivational approaches. (CFR)

Maintains that choral music conductors strive to choose a variety of musical styles, genres, and historical periods. Discusses three types of programming approaches: (1) chronological; (2) thematic; and (3) concept. Includes four tables illustrating selection and pacing of choral music during a concert. (CFR)

A classroom guide is designed for use with the Honolulu Symphony Orchestra's Young People's Concert program. Following an introduction to teachers and students, the guide is divided into six sections. Section one, "The Orchestra and Its Instruments," provides teaching activities to introduce the sections of and instruments in an orchestra.…