This article describes a project in which contemporary music is studied and created in primary-school classrooms in the presence of a composer. Listening to and analyzing a composer's works fosters musical creation processes in students, who subsequently present and discuss their works in a meeting with the composer. Finally, the students' works…

To mark the centennial of "Music Educators Journal" ("MEJ"), this article explores the relationship of music education and the making of musical America across the century. Several interwoven themes are developed to show changing narratives of American music and music education, using voices from the pages of "MEJ."…

Contemporary African-American classical composers Cedric Adderley, John Lane, and Trevor Weston intertwine strands of culture and individual experience to produce musical works whose distinct designs offer cultural resources that music educators can use to integrate diversity into instructional settings. Of special interest is their ability to…

Points out the inherent problem that may keep teaching of twentieth-century music analysis from being effective. Since the students' frame of reference for music listening is usually "traditional" music practices, they are often unprepared to hear and analyze twentieth-century music. Suggests how to develop appropriate listening skills.…

Discusses how Holst's composition can be used in high school band classes. Background information on the composer and his work is included. The themes of each movement in the Suite are analyzed for problems they might pose for student musicians. (AM)

Explains exactly how great an impact American music and musicians have had abroad, and how overly cautious we tend to be in recognizing our own gifts. (Editor/RK)

Article provides statements and questions about music education as well as responses and answers in attempting to develop conceptual awareness for students and teachers. (RK)

Asserting that children are particularly open to novelty in music, the author analyzes four examples of twentieth-century avante-garde music and suggests how they can be presented in a children's music class. (SJL)

Discusses the relation of music and religion to contemporary youth. (RK)

Compares some inadequate and uninteresting music with music that is creative and stimulating, and considers the musical values of audiences. (RK)

Article consists of a compilation of explanations of musical compositions (two records are included with the article) of many different cultures, which have been reviewed throughout the journal. (RK)

Presents an analysis of barbershop singing as a method of stimulating students to learn about music and to enjoy singing. It suggests a list of songs prepared by the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America. (Author/RK)

Discussed a curriculum guide through which school children can develop their sensitivity and independence. (Editor/RK)