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Kun Lei; Svitlana Luparenko – European Journal of Education, 2024
The relevance of the research topic is due to the enrichment of the musical language and methods of performing works of the 20th and 21st centuries, as well as a significant update in the means of their transmission to the listener. The study aimed to reveal the tendencies of modern pianism in the context of Western (Italy) and Eastern (China)…
Descriptors: Foreign Countries, Music, Musical Composition, Cultural Context
Soycan, Merve – Online Submission, 2023
Modes have historically been at the centre of music until the end of the Renaissance period, and were ignored for a while with the tonal system in the Baroque period and afterwards. However, in the contemporary period, with the search for new music, they started to gain popularity again and continued to be used as major and minor tonalities.…
Descriptors: Music Education, Teaching Methods, Music Activities, Music Theory
Aaron Lohmeyer – Action, Criticism, and Theory for Music Education, 2023
Teaching for musical meaning can be a multifaceted topic, since a universally accepted definition of musical meaning is elusive; yet musical meaning remains at the heart of music literacy. Music literacy is equally complex, as changes in technology constantly reorganize how musical sounds are produced, recorded, and transmitted. Today, musical…
Descriptors: Music Education, Literacy, Syntax, Suprasegmentals
D. Gregory Springer; Brian A. Silvey; Nickolas Doshier; Faith Hall – Journal of Research in Music Education, 2024
The purpose of this study was to examine the effects of conductor score use (conducting with a musical score vs. conducting without a score) on observers' perceptions of conductors. We also examined how those effects may differ when viewed from the ensemble perspective compared to the audience perspective. Participants (N = 126) were collegiate…
Descriptors: Musicians, Administrators, Musical Composition, Printed Materials
Clint Randles – Music Educators Journal, 2024
Songwriting pedagogy is in its infancy in music education. This article presents a new way to think about pedagogy that utilizes student workgroups that more closely align with the ways songs are written in the real world. Implications for music education's connections to the world of contemporary commercial music are provided.
Descriptors: Musical Composition, Music Education, Cooperative Learning, Creativity
Hersh, Deborah; Kong, Shi Jing; Smith, Jessica – International Journal of Language & Communication Disorders, 2023
Background: Group singing for people with Parkinson's disease (PD) is an established intervention not only to improve voice and speech difficulties but also for emotional and social benefit. Less is known about the experiences of group singing on the couple--the person with PD and their spouse or partner together--and studies have not specifically…
Descriptors: Neurological Impairments, Singing, Musical Composition, Spouses
Williamson, Paul; Luebbers, Johannes – International Journal of Music Education, 2023
Collaborative composition is an established method within music education, but it is a relatively rare phenomenon between composers of large-scale musical works. This research explores collaborative composition in a professional context and highlights the potential and value of its inclusion in specialist composition training at a tertiary level.…
Descriptors: Music Education, Musical Composition, Cooperative Learning, Creative Activities
Erin Michael Rettig – ProQuest LLC, 2022
Grounded in the Rogers (1995) theory of diffusion, this field study applied th? theory to the problem of technology obsolescence within the music scoring industry. Technology obsolescence is important to study because it plays a specific and pivotal role in business success, longevity, and sustainability. The purpose of this study was to examine…
Descriptors: Technological Advancement, Music Activities, Musical Composition, Audio Equipment
Anthony K. Brandt – Creativity Research Journal, 2024
Works of art have value not only as entertainment and aesthetic expression -- they also externalize features of human cognition that would often otherwise remain hidden. A musical example from the 19th century is a striking case in point. In 1819, Austrian music publisher, editor, and composer Anton Diabelli invited fifty-one of Austria's most…
Descriptors: Creative Thinking, Musical Composition, Intellectual Disciplines, Music Activities
Hillary Lin Santoso – ProQuest LLC, 2023
Two dissertation recitals and a piano pedagogy workshop were given in partial fulfillment of the requirements for the degree of Doctoral of Musical Arts in Piano Pedagogy and Performance at the University of Michigan. The first dissertation lecture recital, "Afro-Cuban and Brazilian Dances," was presented in McIntosh Theatre on…
Descriptors: Music Education, Music Teachers, Music Activities, Musical Composition
Alissa Freeman – ProQuest LLC, 2022
Throughout recent decades, there has been a surge in work to create a diverse classical music canon by finding and promoting works written by composers of underrepresented identities. Despite these efforts, one area that has received little attention is the music written by women during the 18th and early 19th centuries. Reviving the works of…
Descriptors: Music Education, Classical Music, Musical Composition, Females
Barutcu, Mustafa Emir – International Journal of Curriculum and Instruction, 2021
Historically, the piano gained significance over the years with the performance techniques that composers put forward in their works. In parallel with this developmental journey, the improvement of the art of interpretation led to the emergence of new playing techniques throughout periodical changes. The romantic era can be presented as an example…
Descriptors: Classical Music, Musical Instruments, Musical Composition, Difficulty Level
Lierin Buelens; Joris Vlieghe; Thomas De Baets; Wiebe Sieds Koopal – Philosophy of Music Education Review, 2023
In this paper we discuss the musical work of classical composer Benjamin Britten as a lasting legacy for public music education. Our starting point is the contemporary urgency to rethink both public music education in general, and the public-educational significance of Western classical music in particular, in the face of the dual threats posed by…
Descriptors: Music Education, Educational Philosophy, Classical Music, Musical Composition
Haley J. Nutt – Journal of Historical Research in Music Education, 2024
In 1950, percussionist and pedagogue Paul Price established an accredited collegiate percussion ensemble course at the University of Illinois Urbana-Champaign, the first of its kind in the country. In this article, I argue that Price's accreditation of the genre, coupled with his many other entrepreneurial initiatives, was made possible by the…
Descriptors: Educational History, Higher Education, Musical Instruments, Accreditation (Institutions)
Ting Yao; Zhongya Qin – Cambridge Journal of Education, 2024
This study aims to assess personal creativity and the development of higher-order thinking skills in improvisation. The authors evaluated higher-order thinking skills in music improvisation and creativity of improvised musical compositions. The results of the t-test showed significant progress in both creativity and thinking skills among students…
Descriptors: Music, Creative Activities, Music Education, Thinking Skills