Describes the benefits of a curriculum that includes musical experiences. Discusses methods teachers can use to incorporate focused listening, singing accuracy, beat competency, and music appreciation into classroom activities. Suggested records and tapes are listed. (LB)

A study of four- to six-year-old children in China compared experimental and traditional teaching methods of music education. Findings supported the value of the Comprehensive Musicianship Education approach for students. (SH)

Relates the creation of a teaching method in which students create physical movements reflecting their understanding of a musical piece. Students begin by mirroring instructors' movements, then modifying them to better fit their individual understandings, and, finally, create their own movements for new pieces. Evaluates the method's pedagogical…

Notes that music instruction enhances children's self-esteem and develops a variety of skills. Presents guidelines for music programming in early education, including: (1) selecting music to help young students feel successful; (2) including movement activities; (3) using children's names whenever possible; (4) utilizing music terms to enhance…

In this essay, the author describes her view of the concept of the aesthetic in music education as "essentially contested" and subject to reinterpretation. She attempts to expand "traditional" notions of the aesthetic in music education beyond a view of the aesthetic transaction as "passive," focused on audience-listening for traditional…

The book contains information on musical activities which were field tested in Project PASE (Program in the Arts for Special Education, Pennsylvania) classrooms with a wide range of exceptionalities from preschool age to adolescence. Activities are seen to help children become more aware of their bodies, feelings, and themselves; feel important…

The primary function of music education is the development of a responsiveness to the artistic qualities of sound. The constituent elements fundamental to musical response are rhythm, melody, harmony, form, expression, and style. With the goal of developing a responsiveness consisting of musicality and affective growth, this guide has been…

An analysis of the material tastes of college students support Gan's concepts of taste culture and taste public. While Gan's contention that class has a major effect upon involvement with taste culture, this requires qualification where musical tastes of college students are concerned. (Author/AM)

Moving to music may significantly enhance our appreciation of a performance of a music work. Implications for the encouragement of movement in education for music appreciation are discussed. (RM)

Elementary teachers participating in the study thought of music listening as a separate activity and not as one that permeated all music instruction. Assigned listening was utilized mostly in singing, in the playing of instruments, and in traditional music appreciation lessons where students were asked to listen to a recording. (Author/RM)

Song seems to lend itself particularly to language instruction because it encourages participation in a game of recognizing who is speaking, how, and about what and because enunciation is the dominant trait of its structure. Activities using song might focus on the condensation of meaning, redundance, interpretation, social consequences of song,…

This teacher's guide stresses the need for more singing in schools and cultural institutions. Cultural traditions "charge" songs with amazing energy. The charge comes from the sense of identity the song creates. When a song connects people emotionally with a culture, the deep-rooted traditions of that culture add meaning to the singing. Children…

Research supported by a grant from the U.S. Office of Education to the Harvard Project Zero. (DS)