The word gospel means "good news," and gospel music is the good news of the message of Jesus of Nazareth in song. African American gospel is a style that is growing in popularity. The number of twenty-four-hour gospel radio stations in the United States is increasing, and sales of gospel music recordings are on the rise. Gospel music…

Discusses categories of music, interaction of musical styles, status of musicians, and the roles of African music scholars and teachers. (Reprinted from African Report.) (DB)

A voice and music education teacher at the University of Lagos, Nigeria, talks about African music in this interview. Topics discussed include differences between African and Western music, African melody, rules for composing African music, the theory of counterpoint, and the popularity of classical composers in Nigeria. (RM)

Discusses the spirituality and African roots of African-American culture. Defines Africanisms as elements of African culture that permeate both religious and secular African-American life. Defines the phenomenon identified as "soul" among African Americans as the contemporary manifestation of Africanisms. Suggests that soul music is…

This annotated bibliography examines 29 significant works on traditional African music published between 1960 and 1991 that provide information and perspectives that supersede those of instructional resources published earlier. (SLD)

This article looks at the indigenous music of Botswana as an African musical idiom, to illustrate common aspects between approaches to teaching and learning music in African societies and the Jaques-Dalcroze approach. The author argues that a strong foundation exists in African musical practices upon which the Dalcroze approach can build. That…

The film documentary titled "Hip Hop: beyond beats and rhymes" captures ongoing conversations among scholars, cultural critics, and hip hop insiders about the state of African Americans by interrogating distinct expressive forms associated with hip hop culture. Durham draws from two scenes to describe her memories as the researched…

C. P. Snow launched the "Two Cultures" debate in 1959 during the Cold War era. While lamenting a widening gulf in communication between scientists and literary theorists, he championed the supremacy of scientific inquiry over canonical Western European literary traditions of his day. Globalization has forced many academics in the United…

The focus of this dissertation is on two central issues: (1) significant aesthetic theories developed by black scholars which treat the music of black Americans, and (2) the implications which these theories suggest for the development of curricula at all educational levels which treat the music of black Americans. The aesthetic theories selected…

Analyzes the social function of spirituals in relation to African culture and the slavemasters' language restrictions. Describes the role of secret meetings in traditional African cultures and slave society, and the Bible as metaphor. Focuses on themes of freedom and escape, redemption and salvation, and judgment and punishment. (KH)

Discussed is music of the sub-Sahara. Vocal, instrumental, and dance drumming from the Sudan Desert, the North Coast, East Horn, Central and West Africa, and contrapuntal yodeling of Pygmies is described. For African musicians, the ability to improvise, and creativity, are gifts from God. Includes selected readings and recordings. (KC)

Current research reveals that West African musical concepts provided the foundation for the various musical genres created by Black Americans. The Black musical tradition continues to evolve and mirror new values, attitudes, philosophies, and life-styles without the loss of a West African identity. (RLV)

Will the computer or instruments powered by electrical energy become the most efficient means by which to produce Western music, replacing the live performer? If so, what will be the effects of electronic, mechanical music on society? (Author/RJ)

The perseverance of African musical characteristics among American Blacks is an historic reality. African retentions have been recorded in Black music of the antebellum period. Various African scales and rhythms permeate Black American music today as evidenced in the retentions found in blues and jazz. (RLV)